Coop Vidéo de Montréal

In the middle of the night, in the Québec countryside, all hell breaks loose as a black teenager is caught smashing a racially denigrating lawn ornament. Together the neighbours attend to justice against the vandal. Thorough the night there is mounting racism, fueled by alcohol, and violence. Le Nèg' opens the morning after when the police investigators arrive at the scene to take depositions.

After 16 years together, François and Julie open their relationship to explore sexual adventures and self-discovery. With two kids and their bond at stake, the path proves more complex than expected.

Over a dozen students at this school in Quebec were radicalised. To tackle the issue, a pilot project was launched to heal divides within the student body. It's a hybrid cultural model, made up of the many cultures of its students.

The Reception takes place in an isolated mansion on an island, but the host is mysteriously absent. A storm traps everyone inside, and the atmosphere turns sour when it is revealed, by way of a video, that each of the guests has a criminal past. A death ensues, and then another... the mansion quickly turns into a jail. Inspired by Agatha Christie's Ten Little Indians.

Catherine is a teenager going through adolescence just as her parents are getting a divorce. Her social life is no better as bullies and boys add to the pressure of growing up in the chaotic '90s.

Struggling with depression and social anxiety, Paul has found refuge in serving women who invite him to clean their homes. By sharing his gently eccentric routines on social media, he combats loneliness and takes it one day at a time.

Despite the fact that he is completely unrepentant about his crimes, when Regis Savoie's son asks to visit him, prison authorities grant permission for the boy to come. The thief and murderer (Gildor Roy) takes advantage of the moment of his son's arrival to steal a gun and take flight. He settles some old scores, gets together with his girlfriend, and heads for the hills, pursued by a detective who is not to be swayed in his efforts to follow and recapture him.

A l'automne 1964, la construction des 52 derniers milles du chemin de fer du Grand lac des Esclaves est en voie d'achèvement. Une bande hétéroclite de travailleurs instables, ivrognes et voleurs, est recrutée dans les tavernes par Fisk, contremaître aux poings d'acier. Martin Bishop, dix-huit ans, arrive comme nouveau pointeur au sein de cette équipe, le précédent pointeur ayant « disparu ». Bishop découvre rapidement des faits anormaux dans ce camp isolé; celui qui ne suit pas les règles de Fisk risque d'être expulsé du camp dans la nature sauvage et hostile. Fait surprenant, tous les hommes qui ont été expulsés demeurent sur la liste de paie... Le refus de Bishop de jouer le jeu de Fisk lui vaut d'être expulsé dans la forêt, dont l'immensité devient sa nouvelle prison. Incapable de s'échapper, Bishop découvre des aptitudes à la survie qu'il ne croyait pas posséder.

Bringing the same insight and precision to her debut dramatic work as she did with her award-winning documentaries, Toronto’s Carol Nguyen immerses viewers in the intricate matrix that connects three generations of an immigrant family.

Every day, a father works to accumulate the money needed to buy go-kart tires for his daughter and himself. At the racetrack or at home, nothing matters but each other's presence. But during their last autumn in the heart of nature and engines, his weakening health prompts him to reflect on the legacy he will leave to her.

Jacques is an actor who runs away to the countryside to escape his gambling debts. He meets Simon, a rough and wily farmer who manipulates him into a business relationship. After a difficult start, the men help each other grow marijuana. They happen to meet Francesca, a sharp young woman who soon embraces their venture. By the time they get to the winter harvest, the three have learned to live together, but outside forces threaten the delicate balance of their little business...

On a cold winter's day in 1940, Jules and his family move to live with his uncle, mayor of a settler's village in northern Quebec. He is banned from school because of his rare skin disease. From that moment on, his greatest wish is to be cured. When his dog Spark runs away into the wild forest, Jules has no choice but to look for him. On his way, he meets Asha, a mysterious young indigenous girl. Together, they venture to the other side of the forest, where nature reveals itself full of life and secrets.

A mother who supports her child with a credit card scam and an accused rapist meet and form a unique bond.

A young couple buys a rotten house with the intention of turning it into their dream home. But the more the renovations progress, the more their life turns into a nightmare. Bungalow is a comedy-drama about the financial, social and sexual anxieties that millennials experience in our performance society.

On the morning of Sept. 11, 2001, six people become suspicious about a stranger in their neighborhood.

Summer 1993. Marthe, 12, convinces her brother to run away from home and from the Haitian heritage they both reject. Joined by their cousins in a park, they debate what their future might hold. But as the hours pass, the children begin to realize that what they’re trying to escape is also what binds them together most deeply.

On the cusp of his 50th birthday, Nacer Belkacem dreams of a better life. Yet, over the years, he has built himself an enviable position in the eyes of all: a loving family man, a happy husband, a model employee, and a respected citizen in his community. But the veneer is cracking. Beneath a seemingly perfect surface, Nacer has racked up expenses, made questionable investments, and is up to his neck in debt. On the brink of ruin, he devises a desperate plan to try to pull himself out of the water. You only have one life to earn your way to heaven...

This is the story of Mr. Brochu, whose friends like to call "the Boss". He runs his gas station the best he can and tries to stay happy no matter what happens. This movie relates all the small tragedies surrounding the gaz bar, such as hold-ups, competition from the big companies invading the neighbourhood, and the fact that is sons don't seem to be interested in the gas station.

On September 11, 2004, filmmaker Robert Morin shot Que Dieu bénisse l'Amérique, set on September 11, 2001. For artistic reasons, he decided to shoot the feature in a single day. Philippe Falardeau witnessed this tumultuous day, which ended tragically. At the same time, filmmaker Louis Bélanger criticizes Robert Morin's working methods.