Pieter van Huystee Film & TV

There could hardly be a more telling contrast between the analog and digital eras than the beautifully blurry memories captured in a Polaroid picture and the thousands of pin-sharp photos on an iPhone. In this ambitious visual essay, Willem Baptist explores the visionary genius of Edwin H. Land, the inventor of the Polaroid camera. Even today, all sorts of people are keeping his instant dream alive. Former Polaroid employee Stephen Herchen moved from the United States to Europe to work in a laboratory developing the 2.0 version of Polaroid. Christopher Bonanos, the author of Instant: The Story of Polaroid, tells us, "When I heard Polaroid would stop making film, it felt like a close friend had died." Artist Stefanie Schneider, who is working with the last of her stock of Polaroid film, is using the blurring that occurs with expired film as an additional aesthetic layer in her photographic work.

The wind blows almost permanently on the craggy coast of Northern Spain. While the legendary storm blusters, old villagers play cards and discuss the history of the scandalous relationship between Pepet Tremolls and the much younger Rosa Campos Del Amor, in the days of Franco's dictatorship. Tremolls was found dead on Christmas Eve. Suicide, people said. Or was it Rosa's resentful lover? 'The best distance to a beautiful young woman is the biggest one', the coroner concludes who examined Tremolls' body at the time. The gentlemen try to find out how the two lovers got to know each other and how intense the stormy relationship must have been. Jumping back and forth in time, the relationship and its players are expounded, alternated with images of the tranquil village, the wild nature and the wind that sweeps through the trees and stirs up dust on country roads.

Juliano Mer-Khamis' documentary on his mother, Arna, an activist against the Israeli occupation who founded an alternative education system for Palestinian children.

The Congolese-Belgian artist Baloji looks at Congolese pygmy wedding traditions.

The pig is unclean to some, tasty or sweet to others. The pig Dorus grows up in the backyard of free-range butcher Gerard Zwetsloot. They walk around the village together and are local celebrities. After two years, Dorus is ready for slaughter and Gerard is faced with a difficult choice: the pig or the meat. A story about a pig and a butcher that shows how ambiguous our relationship with animals can be.

In the 1940s, Alima decides to flee from an arranged marriage to work as a nanny for a Dutch family. Through all her new impressions and thoughts, she looks critically at colonial society and her own position.

The story is the search of the young Moszkowicz looking for his identity within his Jewish family, he wants to part with his inner demons and wants to break with the negative patterns in his life. In a country where 75 percent of Jews were murdered in the Holocaust, the Moszkowicz family of lawyers stood out as a unique Jewish success story.

A look at what happened after Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan was filmed in the Romanian village of Glod. It follows the life of one girl who longs to escape the poverty as foreign lawyers arrive with the promise of suing 20th Century Fox for millions of dollars.

A look at the Geert Wilders effect.

Stones are at once the most foundational and the most overlooked parts of our lifeworld. When a retired nature documentary narrator passes a kidney stone, she decides to tell one more story about this forgotten world of stone . A hypnotic essay film asking urgent ecological questions, Apple Cider Vinegar takes the viewer on a journey meeting Palestinian quarry workers, passionate Britisch Geologist and People living on the lava fields of Fogo.

A moving documentary. The life stories told by immigrants in Paris are often saddening. The hardships they went through and their current uncertainty and difficult situation. No residence permit, fear of the gendarmerie, little money, poor housing. The quality and background of the musicians is many times amazing.

Road movie-style documentary about the Great Post Road (De Groote Postweg/Jalan Raya Pos). Pramoedya Ananta Toer (1925), one of the most important Indonesian authors of recent decades, wrote an essay about the Great Post Road at the request of director Bernie IJdis. This thousand-kilometer road across Java was built at the beginning of the last century under the leadership of the Dutchman Daendels and cost the lives of thousands of Indonesian forced laborers. Because Toer, as a former political prisoner, is restricted in his freedom of movement, the filmmakers act as his eyes and ears during a trip along the Post Road. During the journey, parallels between Indonesia in the past and present slowly unfold. In addition, as the film progresses, the grimness of Toer's situation and the situation in his country becomes palpable.

Producer Oscar Holleman (Within Temptation an Krezip) instantly recognizes 21 year old Sharon Kovacs as a talented singer. Even comparing her voice to Amy Winehouse. The movie is a documentation of them recording during two very hectic years.

Director David de Jongh represents the life Otto Frank in his documentary Otto Frank, the father of Anne. The film deals with various facets of Otto Frank’s life: his youth in Germany, including his military service during the First World War, his marriage to Edith Holländer and the birth of their daughters Margot and Anne, their flight to the Netherlands, the time in hiding and the deportation to Auschwitz, his life after the Second World War and his dedication to the diary and the ideals of his daughter Anne, and his second marriage to Fritzi Geiringer. The documentary features many photos and film images, as well as interviews, including new ones, with people who knew Otto Frank. His stepdaughter Eva Schloss is one of the interviewees. The film is produced by Pieter van Huystee Film.

Visitors to the temples of modern art in global cities will be familiar with the white cube gallery space. But when one arises in the middle of a Congolese palm oil plantation, the effect is deeply disorienting. Furthermore, it draws attention to the often overlooked ties between colonialism and the art world, for example, through the multinationals that now proudly sponsor these Western museums. This Congolese arts center is part of artist Renzo Martens’s unorthodox plan to jump-start the local economy. Former workers at the plantation make sculptures that are reproduced in chocolate, and then exhibited in New York. The plantation workers, most of whom earn a dollar or less a day, use the profits from this successful exhibition to buy back the land confiscated from them by Unilever.

They still carry his house keys with them, Joaquin Sabina's old friends. It does not matter that the Madrid-based singer, who is adored throughout the Spanish-speaking community, changed the locks to his house years ago. After the brain haemorrhage that hit him in 2001, Sabina suddenly could not bear the dozens of friends anymore that invaded his house. This was a raw deal for them, as the interviews reveal that director Ramón Gieling had with them. As in Gieling's previous documentaries, he created a cinematographic form for the interviews, which he consistently applies. Friends and former lovers are introduced in a minutely reconstructed copy of the living room they were expelled from. In the real living room, they used to lead a loose life without thinking about the health risks.

The 24-year-old Monique, a Dutch woman of Hindustani origin, is at a turning point in her life. A recent college graduate, Monique has to make a decision: will she go along with her parents' wishes and leave the house a married woman, or pursue her dreams instead? She'd like to start off by discovering the world, making a career for herself, acting in Bollywood musicals and living on her own for a while. Her wishes and desires aren't all that different from Dutch girls; they clash with Hindustani traditions, in which women are expected to get married as soon as possible. Monique is trapped between two cultures she doesn't want to disappoint her parents, but she also can't bear to deny her own plans for the future.

A film about borders and border checkpoints, poetically following the people that come into contact with them - one way or another. Borders is about men and women dreaming of a better life in Europe and the high price they often have to pay for it - if they succeed at all. Without taking an immediate moral stance, the film follows the route that many immigrants take from the heart of Africa to the centre of Europe, stopping at each border: Nigeria, Niger, Burkina Faso, Mali, Senegal , Mauritania, Morocco, Spain, France, Belgium, and finally, the Netherlands.

In July 1992, fleeing the war in former Yugoslavia, some patients of the Bosnian mental institution in Jakes leave for Hungary. Since 1996, these patients are housed on a ward of a refugee centre in the Hungarian city of Debrecen, where the rooms are clean but bare. The filmmakers talk to patients, who would rather go back home. They interview the psychiatrist in attendance, who wonders why there is no place in Bosnia for this small group. In Bosnia, they interview the psychiatrist of their former institution; old video footage shows the ravages of war. Plaintive singing on the soundtrack accompanies a trip across snow-clad Bosnia, where the filmmakers visit the patients' relatives. Their reactions are similar each time: they did not know that the patients were in Hungary now, but Bosnia has a lack of money, doctors and medicine. According to their relatives - and the director of a new institution in Jakes - they are better off in Hungary.