Spoon.

Spring 1991. Takaki and Akari meet in elementary school and continue to exchange letters even after she moves away. They make a final promise to each other to meet again. It is now 2008. They live their respective lives, paths never crossing. Enduring memories and a premonition of that promised day. Even now, their words from that day drift quietly, transcending time and distance. An ephemeral story of a promised reunion with someone precious.

In the middle of a riverside park stands a single bench. One evening, a couple of childhood friends who hadn’t seen each other in a while meet up at this bench. Although awkward at times, they sit there exchanging gentle words of affection.

How hard is it to kill an idiot? Just ask Kudo Kankuro! The acclaimed screenwriter brings his 2004 Kunio Kishida-winning stage play Donju (a.k.a. Dumb Animal) to the big screen in all its wacky tragicomedic glory. The one and only Asano Tadanobu sports a seriously nerdy bowl haircut to play the leading role of simple-minded novelist Dekogawa who has mysteriously disappeared. Dekogawa wrote an autobiography about his youth that reveals not only his past, but also some of his childhood friends’ best-forgotten secrets. In order to keep the skeletons in the closet, these buddies of yesteryear try to silence him permanently. But no matter how hard they try to kill Dekogawa, he just keeps coming back – because he’s simply too thickheaded to die!

A beautiful session between dancer Tanaka Min and director Wim Wenders that illustrates something before we started speaking with words.

Tarō Okamoto became world-famous by designing the “Tower of the Sun” at Expo ’70 in Osaka. The ideas and problems that came with its creation, however, are intertwined with the evolution of Japanese culture – from the Paleolithic up until modern times. In his documentary debut, director Kōsai Sekine takes us on a philosophical journey that transcends the visual limits of documentaries.