Transmedia

Slovenia, the spring of 1999. Two friends from a small village decide to transform their mopeds into choppers and embark on a journey. Looking for freedom and love, they travel through dreams of the past and visions of the future. Driven by mad impulses and haunted by the conservative moulds of traditions, they start believing and understanding things previously unimaginable. On the road through Slovenia and Croatia - two countries that have just recently seceded from Yugoslavia - they are accompanied by a young runaway woman with a mysterious past and an old biker who has seen the world in search of freedom but has still not found it. They challenge themselves and each other through shared experiences, severing their ties with and conceptions of the old and thus making way for the new.

Paolo, 40 years old, lives in a small Friulian town close to the north-eastern border. Unreliable and with a passion for good wine, he spends his days at the local tavern and stubbornly stalks his ex-wife.

In the mid-20th century, in a forested valley between Italy and Yugoslavia, a stingy widower befriends a young woman and helps her depart across the ocean to find there a better life. A chance encounter gives rise to a dreamy parable on loss, loneliness and the power of imagination.

A Slovenian mother takes her addicted and self-destructive daughter with her to a remote Italian village. Isolation as attempted salvation. Inspired by Proust, Skafar turns this theme into a gentle and beautiful film, a poem about two souls in which the unutterable slowly comes to the surface.

Angela is a dedicated and sensitive carer. She is a widow. Her husband, as many other workers in the area, died from asbestos-related diseases. When the man responsible for the many deaths, now crippled, is hospitalised, she accepts his son’s offer to become his caregiver, hoping to take her revenge.

María Fux spends her life training dancers, particularly those with disabilities. But now, at 90, she finds her toughest student may be herself.

Young mothers and sometimes also their daughters have vastly travelled from Vipavska valley to Egypt in 20th century. Their families were poor and needed money. So they went to Alexandria and worked as wet nurses and helpers for wealthier people. They often left their own kids alone with their fathers, only taking care for them with gifts and money. Many never returned and even if they did, they were not well accepted.

A Man, a Woman and a Boy. Three people in a timeless landscape. They don't know each other, their cultural background is undefined. They try to survive, each on his/her own. Slowly they start to get in some contact which is utterly mistrusting and occasionally hostile, but through various different situations it gradually starts to develop into relationships.