3 Sat

An average, everyday metalworker and volunteer firefighter content in his marriage to his childhood sweetheart finds his emotions unexpectedly stirred when he falls for a pretty waitress from a nearby town.

Anew production of Tannhäuser, which was premiered on 26 July 2019 and presented the Bayreuth debut of conductor Valery Gergiev, as well as the house debut of young soprano star Lise Davidsen. Tobias Kratzer’s staging presented Tannhäuser as a wildly contemporary parable of art and freedom which was praised as “novel” and “wrenching” (New York Times) and received exceptional press acclaim. hey were joined by mezzo soprano Elena Zhidkova’s Venus (“scene stealing”, according to Opera Today), baritone Markus Eiche’s Wolfram and Stephen Milling’s Landgraf.

In BLUE-EYED, we join a group of 40 teachers, police, school administrators and social workers in Kansas City - blacks, Hispanics, whites, women and men. The blue-eyed members are subjected to pseudo-scientific explanations of their inferiority, culturally biased IQ tests and blatant discrimination. In just a few hours under Ms. Elliott's withering regime, we watch grown professionals become despondent and distracted, stumbling over the simplest commands.

During his work as chief reporter for DDC-TV, a German-speaking television station in the USA, Dennis Mascarenas has met some pretty strange people and gotten into quite a few hairy situations. But when he is asked to make a film about the Germans' relationship to the moon, it is the beginning of the craziest and most unbelievable assignment of his career. 'The Moon Conspiracy' is like a glimpse into Pandora's Box: it takes Dennis and his audience on a surreal journey into hidden universes, only to end up at the frozen bottom of the German soul.

This mountain region that reaches across several countries in Eastern Europe is the home to gold diggers, wizards, cow herders and old Hassids.

Documentary in which Réka Kincses explores the life of her father, the politician Elod Kincses who served as the second chairman of the Democratic Alliance of Hungarians in Romania.

Anna Ditges accompanied Hilde Domin with her camera during the last two years of her life and in this way created a portrait of the artist - just as she experienced her: sensitive, brusque and headstrong, an egocentric with a biting sense of humor, lots of charm and increasingly affectionate towards the tenacious young woman with the camera. Hilde Domin (born 1909) tells the filmmaker, almost 70 years her junior, with great openness about her childhood in Cologne, 22 years in exile, her return to Germany, her late career as a poet, her great love for her late husband Erwin and her loneliness in old age.

Mümine is 14 and lives in the Macedonian mountains. Her family belongs to the Turkish minority. Since she was 9 years old she has worked on tobacco farms. She dreams of leaving the region and becoming a schoolteacher but because of traditional customs, a very different future awaits her.

For a month, filmmaker Dieter Gränicher lives in an institution, in the village community of the deaf. As an attentive and increasingly familiar observer, he gets closer and closer to the village's inhabitants, who often suffer from a variety of handicaps, as they go about their daily lives. The film tells the story of the nuances and vivacity of sign language. It portrays human beings who, with great expressive power, overcome the limitations imposed on them by their disability, deeply touching the person opposite.