To attain knowledge, man and woman had to be willing to give up their innocence," says Boris Lehman. Life Lesson is a poetic and philosophic reflection on the theme of paradise lost. Some fifty persons illustrate the planet's convulsions and the world's vacillations. Trying to communicate, to commune with the invisible, they cry out, sing out, give out messages, each in their own way, in their own state of solitude. These are like multiple echoes that resemble waves in the water or stars in the sky. " Behind these images and sounds that have been stifled by today's society, Lehman hunts for noises, cries, songs, messages that go astray. He says that if we look at the invisible we may hear the words. He invites us to look beyond the appearances of social life and to vibrate in tune with life's polyphony that is all around us."

My name is Ion. Who could have imagined the fate that awaited me: my birth under the Romanian dictatorship, the loss of my eyesight through an accident, my sudden escape from my homeland to seek a future that was a little too idyllic? One thing is certain: fate is like all the criminals that I listen to today for the Belgian federal police. With a little willpower, there is always a way to dodge its tricks. The person who taught me that is a close and loyal childhood friend. That friend is literature. Without her, I probably would not be what I am now, here, among you.

Two worlds are involved. The internal world, closed, virtually isolated, with just one tenuous, uncertain link with the other world - the telephone. The other, external world exists only to pass from one sealed-off place to another. Call each other? - you lose your voice before you get an answer: your head spins with non-existent voices. Telephone and answering machines are scheming devices. Just waiting in vain.

Under the scorching sun, seventeen-year-old Purdey and her fifteen-year-old brother Makenzy are left to fend for themselves. While Purdey cleans houses in a hotel complex, Makenzy scrabbles together some money by stealing from tourists. Between the recklessness of adolescence and the harshness of adulthood, they will have to support each other in this heartbreakingly sweet journey, which seems to be the last summer of their youth.

Laosan, a young family man, spends all his time smoking opium. For his community, lost in the heart of the Laotian jungle, opium farming is the only way to survive. But opium is also the poison that puts men to sleep and kills their desires.

Sacred Water is a film about female ejaculation and the discussions around it.

In this documentary road movie, filmmaker Danielle Arbid tries to conjure up an image of the country that is called Israel or Palestine.

Damien Samedi is 43 years old. When he was a child in his Belgian village on the banks of the river Meuse, they called him the “Petit Samedi”. To his mother, Ysma, Damien is still her child, the one she never abandoned when he got caught up in drugs. A son who sought to protect his mother despite it all, a man attempting to liberate himself from his addictions and faces his past to get through.

Two lovers are so passionately in love that they have done something unforgivable and killed the jealous husband.

The camera slowly pans through a room as Smolders offers various observations and memories.

She was born in a cave, more than 60 years ago. Now she lives in a village, with many children and grandchildren to look after.

This film journeys deep into the heart of Austria’s favorite daily newspaper, the Kronen Zeitung, the most widely-read paper per capita in the world. The “Krone’s” 2.7 million readers represent 43% of the Austrian press market. A reflection of the Austrian soul, this newspaper serves as a prism through which we can understand the rise of the populist Right in this country and examine the dangerous flirtation between media and politics.

From pond to plate, we are shown the journey and destiny of one carp among many. This particular carp will be eaten stuffed during a family meal. Carp stuffed (in the Polish fashion), also called in yiddish (Gefilte Fish) is a traditional dish eaten by Ashkenazi Jews. It is cooked, sweetened and served as a cold dish at the start of the meal. The head is reserved for the head of the family. The film, set in Brussels, on the day of the Jewish New Year (Rosh Hashanah), aims to show the culinary preparation together with the accompanying prayers and ritual. It focuses particularly on the sacrifice of the fish and on the issue of mass extermination.

Documentary on the atrocities the germans committed at the start of WW I in Dinant.

After marrying a girl from his native village, Sokuro, a young Burkinabe immigrant living in Italy, tries to build a future with her despite the distance that separates their two worlds.

Short documentary on 3 fisherman who still go fishing near the shore with horses the old fashioned way.

A man returns home after a long journey. The curtains in the open windows flutter in the breeze. His wife sleeps. And he recognises nothing of what was once so familiar. Stretching the boundaries of poetry, science-fiction and documentary film, and with Chris Marker and Andrei Tarkovsky firmed lodged in his mind, he wanders through the remains of an Aral Sea in the throes of draught, metaphor for a landscape, a world and a country which no longer exist.