The National Film Unit

This 1981 NFU film is a tour of the contemporary world of Aotearoa’s tangata whenua. It won headlines over claims that its portrayal of Māori had been sanitised for overseas viewers. Debate and a recut ensued. Writer Witi Ihimaera felt that mentions of contentious issues (Bastion Point, the land march) in his original script were ignored or elided in the final film, and withdrew from the project. He later told journalists that the controversy showed that educated members of minority groups were no longer prepared to let the majority interpret the minority view.

Writer/director Paul Maunder's second drama after his award-winning Going Up North for a While is a portrait of a woman's mental health crisis. In part one Julie (Denise Maunder) is haunted by her birth mother's breakdown. Her inner monologue narrates events; Julie hopes marriage and a job will "cure" her, and falls pregnant. After a traumatic delivery, she suffers an acute episode and is admitted into care. Part two takes place in a psychiatric hospital where drugs, electroconvulsive therapy and art therapy were standard treatments at the time. Maunder undertook research at Auckland's Kingseat psychiatric hospital.

This chronicle of the Christchurch Commonwealth Games marked one of the National Film Unit's most ambitious productions. Though a range of events (including famous runs by John Walker and Dick Tayler), are covered, the film often bypasses the pomp and glory approach; instead it dares to talk to the injured and mention that most competitors lose. The closing ceremonies of the "friendly games" feature the athletes gathering to — as the official song's chorus put it — "join together". Four directors joined together to work on it: Arthur Everard, John King, Paul Maunder and Sam Pillsbury.