South African Broadcasting Corporation (SABC)

After surviving a helicopter crash in the uncharted South African wilderness, two young men, a girl and a renegade thief discover an ancient city unknown to civilisation.

Eugene de Kock, nicknamed "Prime Evil," was South Africa's most notorious government assassin under the apartheid regime. A highly decorated and powerful man, he led police death squads against enemies of the state; his victims were mainly connected with the ANC. The film includes interviews with torture victims and with friends of de Kock.

After being fired for suspecting illegal toxic waste trafficking at her company, a secretary falsely accuses her superior, Marc, of sexual harassment on the radio. This lie drives Marc's fiancée to suicide, while simultaneously, the company owner frames the unsuspecting Marc for the illegal trafficking to cover his own tracks as the police close in.

For the first time, Dr. Victor Frankl through the eyes of those closest to him. A defining character of the 20th century, not only a genius, doctor and survivor of Nazi terror and tragedy but a man who lived, believed and loved.

South African TV Movie

South African TV Movie

South African TV Movie

In 1810, 20 year old Sara Baartman got on a boat from Cape Town to London, unaware that she would never see her home again, or that she would become the icon of racial inferiority and black female sexuality for the next 100 years. Four years later, she became the object of scientific research that formed the bedrock of European ideas about BFS. She died the next year, but even after her death, Sara remained an object of imperialist scientific investigation. In the name of Science, her sexual organs and brain were preserved and displayed in the Musee de l'Homme in Paris until as recently as 1985. Using historical drawings, cartoons, legal documents, and interviews with noted cultural historians and anthropologists, this documentary deconstructs the social, political, scientific, and philosophical assumptions that transformed one young woman into a representation of savage sexuality and racial inferiority.

South African Film