Sima Films

David’s life is on the slide: he’s broke, in the middle of a divorce and ‘can’t get it up’. His girlfriend, Alice, is his rock, but the magazine she writes for is going down and the pressure is on to find a story. While job hunting online, David stumbles across the perfect antidote to his boredom: a ‘Swingers’ site. The resulting inbox of lewd invitations on the home-laptop justifiably upsets Alice, until she realises this could be just the ‘story’ she needs. The idea of uncovering the swinging scene causes quite a stir in Alice’s office and, much to David’s chagrin, she is urged to pursue the story. Their first reluctant foray is an hysterically low-rent initiation, however, an unexpected upturn for David’s manhood is all the extra encouragement they need. As events accelerate beyond their control the once adoring couple become lost and fundamental questions are asked of their relationship.

In a near future dominated by augmented-reality eyepieces, a troubled young man who suffers from agoraphobia experiences an unlikely transformation when he comes across a mysterious app that transforms every facet of his life into a game.

A lonely middle-aged woman divides her time between her monotonous job at the supermarket and taking care of her disabled mother and estranged family members. The mysterious murder of the head cashier at the supermarket, sends her on a journey into the depths of her repressed desire revealing her deep longing for warmth and human connection.

Set in dystopian Oakland, an ex-techie trans woman uses pirated AI technology to control a young trans lover, but their love and revenge plot against a DNA-harvesting corporation unravels, leading to unexpected consequences for all.

While he was alive, Amos Guttman remained a red flag for the notoriously conservative Israeli film establishment. A Romanian migrant, he, never truly found his place in his new home. He was gay and made the nation's first movies on the subject. He was an artist who wanted to make films not for the masses but for the few. Conversely, he wanted to make movies that connected with the rest of the world and not only Israel – works that maybe Derek Jarman or Pedro Almodóvar could watch by chance and feel understood.