دائرة السينما والمسرح

During the British colonial period in Iraq, Sheikh Dhari and his tribe openly reject colonization and employ peaceful resistance against the British occupation. In response, the English forces resort to violence, targeting Sheikh Dhari's locations in their confrontation with Laghman. When he is captured, they accuse him of blocking the road, revealing the schemes orchestrated by Britain in Iraq.

Before the July 1958 revolution, Abu Saeed decides to incite the peasants to rebel against Sheikh Majid Al-Iqtai, who had burned their crops, exploited them, and enslaved them for many years. He succeeds in rallying the people's spirits against him.

A historical epic about the battle of Qadiseya, which was helmed by the Arabian knight Saad Ibn Abi Waqas, and which enabled Muslims from conquering Persia in 636 A.D.

The film portrays a snapshot of the Lebanese Civil War through the behavior of a sniper who ruthlessly kills his targets. Through this, many social contradictions and conflicts amid the Lebanese Civil War are revealed, as a bloody conflict rages between factions with no relenting or desire to cease the bloodshed.

The film depicts life in Iraq during the Iraq-Iran war through the characters of the fighters Jabbar and Imad (played by Jalal Kamel and Nizar Al-Samarrai). They live in the city of Basra and the Iraqi countryside amidst the war atmosphere. Jalal develops a love relationship with the beautiful girl Soha, and they both join their military duties.

The film narrates the world of fishermen, where they face greed and exploitation by a figure called "Sabti," who exploits the fishermen and takes everything from them, reaping the profits while they receive nothing. Mahmoud (the leader of the Nu'mani tribe) confronts him, refusing to be exploited, but he soon disappears under mysterious circumstances, leading to the cessation of the struggle.

The film presents, in a comedic manner, how to execute a dramatic film featuring a love story between a young man and a young woman. It depicts the execution of comedic scenes by shooting at the lover, as well as the selection of a cart and horse by the carriage driver Alwan. Alwan becomes annoyed during filming by the romantic expressions between the lovers, believing them to be real, which causes disruptions in the film's production.

A true story that occurred during the Iraq-Iran war, where one of the Iranian shells hit the bride Lamia on her wedding night. The story narrates the reality of the border city (Mandali) situated between Iraq and Iran, where the girl Lamia maintains loving relationships with everyone, highlighting the role of infiltrators like the madman who transmits information about the city to the other side.

Hamed is arrested after he starts working in the black market. When he is released, he tries to make amends, but his obsession with money and wealth throws a wrench in his plans, and he gets arrested again.

The film portrays the Iraqi army's role in confronting Iranian aggression during the war between Iraq and Iran from 1980 to 1988. The film highlights numerous heroic acts of Iraqi army personnel during this conflict.

An Iraqi film about the life story of a money collector (Kamsari) inside one of the public transport buses in Baghdad, and the daily encounters with various segments and different characters, along with the funny situations and incidents that ensue.

An Iranian attack occurs on the middle sector, prompting a team of Iraqi special forces to attempt to repel the assault. A tough confrontation unfolds until an Iraqi aircraft intervenes, bombing enemy barracks, and allowing some of the soldiers to survive the battle.

Ibrahim finds himself under intense nervous pressure as he seeks revenge for his father's murder by one of the sons of his village in a brawl that occurred between them. At the same time, a love relationship arises between him and the girl Ward, so he tries to persuade his family to forgive and distance themselves from bloodshed. On the other hand, Ibrahim tries to monitor what is happening in his work, dealing with theft and looting, attempting to rectify the situation in various ways.

The diary of an electricity meter reader who constantly suffers from being chased by dogs. He falls in love with a mute girl, while the playful neighbor woman tries to catch his attention, causing jealousy in the mute girl. This leads to amusing incidents that captivate the entire neighborhood.

Qassem has an accident that causes him to experience amnesia. A rural family finds him and gives him the name Hammady. He lives happily until another accident leads to the recovery of his memories.

The film depicts the biography of King Ghazi, one of the kings of Iraq in the 1930s, who sought to break free from the bonds of British colonization and adopt a nationalist path. This led various parties to attempt his assassination, including the servant Sa'id, who is also disposed of after the assassination. The film also portrays aspects of life in Iraq during the 1930s.

Baghdad Outside Baghdad is based on the Gilgamesh Sumerian legend, set in the first decades of the 20th century and told with a realistic and human hold. The story portraits six different stories that in different ways reflects the intellectual and cultural life in Iraq in that period, a period that fostered great poets and singers. The film presents six figures from this period through easy going as well as melancholic perspectives, while they live as strangers in their homeland and slowly move towards death. Gilgamesh is constantly present in the story, and as set in the historical epic portrayal, watchful and fearful of the death. Baghdad Outside Baghdad is outermost a historical portrait of Iraq.

A love story unfolds between a girl and a young man in one of the coastal areas. They become involved in a physical relationship, resulting in her becoming pregnant. Tragically, her lover dies in an accident. Fearing disgrace, she attempts suicide, but is rescued by a kind-hearted fisherman who falls in love with her and cares for her in his small cottage. However, the girl dies after giving birth to their child, leaving the fisherman in shock.

Abu Sami and his son represent two completely different mindsets. The father clings to everything old-fashioned, while the young man tries to live his life and open up, but he faces his father's rejection of all that. What will he do?

The daily antics of an Iraqi manager