Primer Naufragio

Felipe, a young lazy and insensitive stock trader, begins to see subtitles of the people he talks to: the subtext of what they really mean. Sara, his best friend, a young translator, is the only one whose words he cannot see subtitled, perhaps because she truly understands him and speaks to him with transparency. To stop seeing the subtitles, Felipe must learn to truly listen to the language of others.

A pair of ex-lovers argues in bed about their past relationship. They reminisce as each image from their memory comes alive as if it was happening right there. A conversation, banal in its nature, with hints of a video-essay and meta-cinema, ends up exploring the different ways in which we can recall love.

During the Argentine dictatorship of the eighties, two gravediggers are in charge of burying all the N.N. that arrive at the cemetery. One afternoon they bring the corpse of a beautiful girl whom they both fall in love with. That rainy night will be the excuse for a reflection in candle on the friendship, the old age and the bitter beauty.