Universidade Lusófona

The story of two brothers with a sick mother and a reality that leads the audience through paths of secrets and lies, puts the viewer in the role of participatory observer, each drawing its own conclusions.

A making of documentary that records the productions days of a university film crew, making a short film called 'Incomum'.

Duarte rushes out of the house when he is confronted by his brother, Samuel, and is forced to explain why he has to run away. A few days later, Samuel is confronted by a group of drug dealers who have come to collect the debts left by his younger brother, Duarte. Feeling pressured, Samuel ends up choosing the quickest solution and agrees to take part in the fights.

Bruno lives in a black and white world for so long that he forgot what colors are, as well as his phobia towards them. Seeing all the color in a fruit basket, Bruno rediscovers his fear and the effects of his phobia.

A two parts making of documentary, following José Augusto Silva and his film crew during the shooting of a university short film called Castelo.

A store buys and sells feelings. These feelings are represented by sweets. There are two queues: one for those who want to sell and another for those who want to buy.

Maria, an elderly woman that lives alone, asks her neighbor for help fixing her TV.

An inactive swim coach follows an enigmatic blind man who will help her overcome a past that haunts her and prevents her from practicing her profession.

During the student crisis of 1968, Ines, an 18-year-old homosexual, is prevented from attending law school by her family, who believe that this is not the right course for a woman. This awakens in Inês a feeling of injustice, which leads her to accept Julio's invitation to join the high school students' association. The next day, we find out that the student association has been closed since they found a copy of the clandestine newspaper "Avante!" on the premises. The rectory then decides to expel suspicious students, starting a revolt in the high school and an ideological confrontation between the couple of Inês and Adelaide.

In a world where society is controlled by a totalitarian regime and children are the tool of ideological formatting, Isa realizes that her child is different from the others and that this will bring consequences to her life.

Due to the constant suppression of the trains, the Malveira station is deserted for most of the day.

Marco is a 16-year-old who plays tennis daily as a way of sheltering his helplessness towards his father's depression.

Pedro is a solitary writer who decides to embark upon an imaginary disorientation in order to get to the central idea for his next novel.

Pérola (39 years), a female lawyer, return to Angola, for her younger sister´s “Alambamento” (traditional Angolan ceremony where dowries and promises are exchanged between a couple) more than 20 years living abroad. On coming back, she realises that she does not fit in that environment anymore. The world that saw her come to life is now uncomfortable. In the beginning, she remains apart, watching all her parents do and say in a judgmental way, but as the party unfolds, Pérola starts to see the beauty of the place. That land and it´s People reveal a charm that she was not expecting and suddenly she understands that all her loneliness and emptiness she has felt all those years was only her home beckoning her back.

After sinking, Carlos turns up at the coast along with his colleagues. In a struggle for life already lost, Carlos tries to seek salvation by accepting death leaving his family behind.

A young poet suffering from a heartbreak, embarks alone on a journey in search of his happiness.

Touching, growing, caring, dancing. Seedlings climbing around fingertips, birds morphing into humans. But the tender touches slowly fade as the shadows grow and the witches of the forest start to disappear. Rooted in patriarchal violence, history keeps repeating itself.

Ava, a professional dancer, finds herself in a toxic relationship with her partner, an accomplished choreographer, Nicholas. While he charmingly aims to convince her to go back to the stage, Ava slides towards a break-down.

When desire is stronger than physical strength, and the consequences are immeasurable, we are left with a radical journey of an elderly person who wants to skate in order to feel alive again.