Geva Films

A documentary produced by Histadrut about Kibbutz Tel Katzir. Although modest in size, Tel Katzir stands in the center of a border conflict between Israel and Syria. The kibbutz, located in the demilitarized zone between the countries, is a frequent target of Syrian attacks. Between one attack and the next, Tel Katzir members lead their work, family, and cultural life.

A promotional film that presents the legislative body and all of its various roles. (filmed during the sixth Knesset term). The work routine of the government, the presidency of the Knesset, the positions of the coalition, the opposition and the various committees. The discussions are taking place at Beit Frumin, shortly before the move to the new permanent residence. The film shows the prominent MKs of those years, headed by Prime Minister Levi Eshkol, Chairman Kaddish Luz, Foreign Minister Golda Meir. At the center of the film is an extensive discussion of the question of Arab Refugees.

A French engineer moves to Israel with his wife and daughter to manage irrigation projects. His daughter Catherine feels excluded, and disappears.

A Tel Aviv taxi breaks down, and while the driver attempts to repair it, the passengers take shelter and relate tales to each other. One man relates how he became a hero, in a comic fashion, while on Army maneuvers; an elderly woman tells of her first visit to the big city; another woman tells how she and her husband invited his boss and his wife to their home for dinner, with the intent of getting the husband a raise, and they wound up in a hospital thinking they had food poisoning. Another story concerns how the police caught a demented-thief who stole from a bank to give money to the poor.

A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas’ “Hallelujah the hills” (1962), it’s an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics – parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch.

Daliah sneaks into a cargo ship bound to Israel. The sailors will do anything to hide from the though captain her and catch her attention.

Two years after the Six Day War (1967), doctors at an Israeli hospital try to save the lives of an Arab terrorist and Israeli officer just brought in after a border clash.

Comprising four independent vignettes, the film presents four separate narrative episodes depicting characters navigating relationships, encounters, and romantic pursuits.