Grieta Cine

When Gabriela finds out that Zoila, the Mapuche nanny from her childhood, does not appear in the family tapes, she begins to inquire about the maternal relationship that unites them.

As he is about to leave Viña del Mar, his hometown, Javier begins filming gardens without quite knowing what he is looking for. For eight years, each time he returns, he explores trees, plants, and landscapes, composing a visual essay in which avocado trees, palm trees, and roses coexist with fairy tales, colonial ghosts, and the class conflicts that run through the heart of his own family.

Picho tries to get a profile picture that represents him, while the family WhatsApp chat demands him to be present at the vertiginous loss of autonomy of the grandfather. Between missed calls, bombardment of images, emojis and stickers, we access the digital intimacy of a young man conflicted with the expectations of others and his own.