Neue Studio Film

An unusual story of a triangular relationship in Vienna. A woman shares an apartment with a man named Malina. The woman meets Ivan and falls under his spell. It will be her last great passion. Her feelings are so strong and all-encompassing that Ivan can neither understand nor return them.

Despite its South-of-the-Border title, Caracas is an Austrian love triangle. Gas-station owner Gerhard Zehmann is saddled with cheating wife Regina Bill. The man would like to escape to Venezuela, but he can't unload his wife. Then he meets a woman who is the exact double of his wife (also played by Regina Bill, of course). Falling in love with this clone, the husband hatches a plan. He'll murder his wife, then leave for Venezuela with her look-alike so as not to arouse suspicion. Are foolproof plans like these ever really foolproof?

Judit is up to her neck in art studies and the elitist art community but chucks it all to pursue a successful career as a billiard professional -- not exactly a likely alternative in real life, but certainly more lucrative. Just as she is finally at the apex of her chosen second field, Judit encounters male jealously and/or aggression in the form of intentional snubs from this different class of snobs, or in the worse instances, rape. Director Kitty Kino portrays many of the male figures in this film as weak, or drunk, or simply offensive, and because of the emphasis on those traits, the film will raise objections from some viewers. On the other hand, many women might see this film and feel that at least it brings up the difficulties women can face in getting ahead in a male-dominated arena, instead of side-stepping or ignoring the role of male prejudice.

The authentic story of Maria Zechmeister who lived in an Upper Austrian village and was convicted of the murder of her husband. There was no evidence and no confession. Only rumors. Maria and the witnesses re-enact the trial before the camera. They tell about the marriage, the time the husband was a prisoner of war and his return from captivity. If he really had been poisoned or if she was a victim of injustice remains open. Maria Zechmeister was pardoned after serving 17 years in prison and lives in an isolated house at the outskirts of the village.

Jag Mandir is a quiet and often overlooked film in the vast oeuvre of Werner Herzog. Apparently, 20 hours of footage was shot that covered the whole fest and the film hardly presents us a twentieth of that. A native walking into the film in between may well fail to immediately realize that it is his country that is being shown and these are figures from the mythology of various sections of his nation. The bulk of the film consists of footage of an elaborate theatrical performance for the Maharana Arvind Singh Mewar at the City Palace of Udaipur, Rajasthan staged by André Heller.

Vienna in the early eighties: After a suicide attempt, Tina, who comes from a middle-class family, is hospitalized in a psychiatric ward. There she gets to know Gerhard, an apprentice plumber, who also wanted to do away with himself. He comes from a working class family. They fall for each other. A modern love story which is set inside the real life circumstances of the closing of the alternative Youth Center "Gassergasse" in Vienna.

On June 28, 1914 Archduke Franz Ferdinand of Austria was shot to death in Sarajewo. His assassination caused a chain of events that brought about World War I and the downfall of old Europe. Who is the assassin? Who is GAVRE PRINCIP, a man that fate brought into the center of world attention. The subject of the film is not the historical background but rather the psychological makeup of PRINCIP at the age of seventeen.

A tough cop but his life in ruins. His superiors are only looking for a reason to sack him. The girl is 17 years old and lives on the street. As the cop helps her one night, she steals his gun and flees. He should report the loss of his gun to his boss, so he has to search for the girl. At the Dutch border it falls into the power of the police! Henceforth they are on the run, without a plan and without a goal ..

A nihilistic art student meets the mysterious Edgar Allan at a coffee shop in Venice. The fascination for the older man soon turns into paranoia.

The adaption of Arthur Schnitzler's brilliant study of the moral illusion and reality in a small town near Vienna at the end of the century. - After the famous radio adaption by Max Ophüls in 1954.

30 years old Gregor is traveling with his ten years old daughter to his childhood town where he meets old friends.

Based on the many observations made during his extremely interesting and far from dull life, Dr. Döblinger relates four episodes in which he wants to give us a picture of the loneliness and incomprehensibility of mankind.

Andreas, who is ten, has been brought up by his grandmother. When she dies, he removes a putto from the crucifix placed upon her, puts it in his mouth and does not speak again. The attempts by adults to make a normal child out of him only cause him to flee deeper into his fantasy world - a village of snow. At its center is a snowman with whom Andreas converses.

Eva, a successful publicity executive, has weight problems. In spite of diets and starvation cures she is overcome frequently by attacks of compulsive eating so that all resolutions and efforts to reduce weight are of no avail. She becomes more and more frustrated. Her new boyfriend Thomas does his best to pep her up but it doesn't help her self esteem. Finally, after she ditches her date with Thomas because she can't find the right dress to wear, she flies into a rage and -in an act of self-liberation- throws her clothes and scale through a closed window.

In this highly symbolic political allegory, Averill is traveling through a troubled countryside amid rumors of war to visit his father. He reaches a train station in a city which is paralyzed by a transportation strike and is forced to take lodgings in a bizarre, unattractive town populated by seemingly malformed individuals. After a while, he begins to try to woo a much older woman, and symbolic images of entrapment, imprisonment and erotic enticement mark his adventures in this regard.

Karl Hirnschall is in his thirties and is a member of a Viennese avant-garde theatre group in the early seventies. When he is finally fed up with acting for low fees, he goes back to his former life. He becomes the "right man" for a grocery firm whose products he sells with great success. The neo-salesman manages to acquire a furnished appartment for himself and his young girlfriend, Traude. When his income does not keep pace with his expenditures, Karl resorts to shady business deals.

Psychological and sociological portrait of Camillo Castiglioni, the king of inflation, who became one of Europe's richest men in the twenties through speculation and war profiteering.