Zadig Productions

In November 15, 2017, the painting Salvator Mundi, attributed to Italian artist Leonardo da Vinci (1452-1519), was sold for an unprecedented $450 million. An examination of the dirty secrets of the art world and the surprising story of how a work of art is capable of upsetting both personal and geopolitical interests.

Julie Andrews starred in Hollywood productions that have become iconic movies, winning an Oscar for her performance as Mary Poppins, a symbol of the magic of musicals from the 1960s. And yet, behind the squeaky-clean image hides a much more tortuous career, with its moments of glory and tough times, all of which explain the longevity of a story that is still being written.

We admire beauty; we recoil from bodies that are marred, disfigured, different. Didier Cros’ moving, intimate film forces us to question what underlies our notions of beauty as we join a talented photographer taking stunning portraits of several people with profound visible scars which have dictated certain elements of their lives but have not come to define their humanity. The subjects' perceptions of themselves are dynamic, unexpected, and even heartwarming. This is an unforgettable journey to be shared with the world.

Revisits the two rounds of the 2007 French presidential election (April 22 and May 6, 2007), where Conservative leader Nicolas Sarkozy won a clear victory over his Socialist opponent, Ségolène Royal. Faced with the activist, the journalist, the political figure and the gigantic media device set up for the occasion, the audience is taken on board without real or comprehensive explanations. Strangely, the chaos seems organized. Just like when we are considering the range of 'unplanned' events that get media exposure, so much so that we wonder if they really are being planned. Is all this period of unrest visibly set in motion by social activists, agitators, ordinary people, politicians, publicity agents?

In 1945, two young American soldiers, brothers Budd and Stuart Schulberg, are commissioned to collect filmed and recorded evidence of the horrors committed by the infamous Third Reich in order to prove Nazi war crimes during the Nuremberg trials (1945-46). The story of the making of Nuremberg: Its Lesson for Today, a paramount historic documentary, released in 1948.

Gene Kelly is a legend of the heyday of the Hollywood musical. His name stands for masterpieces such as "Singin' in the Rain" and "An American in Paris". As a singer, dancer, actor, choreographer and director, he was a true all-round artist who revolutionized the world of dance in particular. Kelly, who loved to experiment, explored new forms of dance expression and helped a whole generation of young talents to fame. From his beginnings in cabarets and on Broadway to his recognition as a choreographer and director, the documentary shows how the good-looking star with a charming smile expanded the boundaries of dance expression: He danced in the open air in the streets of New York, with a cartoon character or his own reflection. But this dazzling entertainer image should not obscure the fact that Kelly, as a staunch supporter of the American civil rights movement, also saw dancing as a political statement.

Teen movies have had a great impact on the movie industry - especially in the 80s. This documentary takes a closer look at the genre's origins and the impact it has made up till today.

Juste wanders the streets of Paris looking for people only he can see. He collects their last memory before helping them into the afterlife. One day Agathe, a young woman, recognizes him. She belongs to his previous life. She is alive and he is a ghost. How will they manage to love each other and seize this second chance?

Actresses' hairstyle in movies always carries a strong aesthetic statement associated with erotic, social, and historical meanings. In a bold and unexpected way, the film revisits this ultimate symbol of femininity in international cinema.

Françoise returns to her native Brittany to teach at her alma mater to find that the past of this very particular place still exerts an inexorable pull. A rapturous ensemble piece about the tricks of time and memory, Suite Armoricaine is a work of grand themes and small, surprising details, bursting with ideas and emotion.

From the first minutes after his inauguration, the newly elected president wants to translate his promises and his campaign project into action. "Change is now", "Change life", "Together everything becomes possible": all campaign slogans promising a break with the past, a change. The first few months were decisive: it was a matter of making a mark, asserting one's style, imposing one's authority and taking the first measures, those that would make a mark on public opinion and set the first lines of the political narrative in history. From 1959 to 2017, the eight successive presidents have acted without delay. Thanks to the many witnesses and actors of these first hundred days, the film retraces the stakes and decisive moments that marked the beginning of each mandate.

Between the Pyrenees and the Atlantic ocean, there are powerful rivers. But corn fields dry them up, and dams are blocking salmons. Human activity upsets the hydrologic circule, and river's biodiversity.

Across the world, from Paris to Los Angeles via the steps of the Cannes festival, actress and director Aïssa Maïga questions the way black women are represented on-screen and how diversity is promoted.

On his clandestine journey from Cameroon to Europe through the Sahara desert, Léonard meets Hope, a Nigerian girl who's following the same dream.

Never before in Western history have our sex lives been so free. And yet one taboo remains: Abstinence, individuals who have no sex at all. Seven men and women talk about why they have no sexual relationships in frank and emotional accounts of their existence and deepest desires.

Success is inevitable for a musical in which Fred Astaire appears - if it was also written by one of the most talented composers of his time. Irving Berlin, Jerome Kern, George Gershwin - all these brilliant composers knew how to deal with the fact that not only Astaire's legs are like an instrument, but that his whole being is filled with music.

Back on the parisian riots of march 2006. By crossing the points of view between the individual, the crowd, the mass, this film tries to draw from the TV coverage some more nuanced, more troubled perception. "Milling around" projects us in the center of the action by keeping us strangly remote at the same time.