Ministère Français de la Coopération et du Développement

The Golden Ball is a wonderful children's film that tells of a young boy's dream of being a soccer player. Whenever a match is broadcast live in the village of Makono, Bandian and his brother keep their ears to the transistor radio, spinning a picture of the game from the announcer's commentary much as they fantasize themselves on the field. A gift of a real soccer ball, which Bandian paints gold, like a magical object involves him in a series of adventures which bring him in reach of his dream, but which also require him to make difficult choices.

Done in the style of an African folk tale, this film, a collaboration between European and African countries, is said to be among the most elaborate, high tech film in African film. Exquisitely photographed and filled with archetypal figures to create a poetic look at nature's revenge against those who would exploit her. It is set in the forest village of Amanha Lundju, a place where the birth of children is celebrated by the planting of a tree. The trees are considered spiritual twins. But for every tree planted, the rapacious state destroys many more for firewood and lumber.

Back home in Bujumbura with a Parisian diploma in his pocket and expecting to walk into a civil service job, Gito finds himself both unemployed and caught between two women: his current French girlfriend Christine and his local old flame Flora.

When four jazz musicians—trumpeter Serge Adam, pianist Benoît Delbecq, bassist Francky Mwele, and drummer Emile Biayenda—prepare for an African tour with the aim of engaging in dialogue with the musicians they meet along the way, certain clichés prove hard to shake. The jazzmen themselves are well aware of this; after all, isn't their very starting point a desire to avoid them? Musical curiosity must be reciprocal, and, after all, jazz is surely the territory that—even if not strictly shared—serves as an initial "no man's land" for an encounter. Beyond that lies the adventure...