Ukrainian News and Documentary Film Studio

The sad uniqueness of Ukraine is that it has witnesses of two generations who survived the experience of war in childhood.

A documentary about the history of Ukrainian Cossacks in the Kuban.

Documentary about post-Soviet society’s abandonment of cinema in favour of the free market.

The figure of the world-famous Ukrainian artist Ivan Fedorovych Marchuk, whose paintings present Ukrainian art on all continents of the world, became the basis of this documentary.

An outstanding poet, student of Oleksandr Dovzhenko, Mykola Vinhranovsky reads excerpts from his teacher's diary, comments on it - thereby emphasizing the tragic fate of the great artist. The film uses a chronicle of the war and post-war years.

To be able to somehow survive, two students pretend to be businessmen from a fictional international business company. Acquainted with several girls, they choose the richest one and marry her. This is followed by a robbery and a search for the criminals by the police.

Meditative and quiet movie about transphormations of Dnipro river in Ukraine, that touches theme of collective versus individual rights, filmed in the dusk of USSR.

The film is dedicated to the events of the early eighteenth century, the time of Hetman Ivan Mazepa.

The film was shot in the village of Rusyn in the Ivano-Frankivsk region. Once, a local resident erected a memorial stone cross here in memory of himself when he was leaving for Canada with his family. Vasyl Stefanyk recorded this story here, and in 1968 Leonid Osyka filmed it in Rusyn. Thirty years later, his student Oles Sanin returned to tell the story of the film's creation, talk to the local participants in the filming, and show them “The Stone Cross“.

The subjective-personal context is perceived as an objective document of the era, a true testimony of the time when it was created and experienced. The author reflects on events of different historical scale, but equally significant for a person. The film is built on the principle of montage of free associations: from memories of the grandmother and reflections on "the time of our grandmothers" to the image of Vira Kholodnaya as the embodiment of femininity, and then - at a sharp turn - to the problems of inter-ethnic conflicts.

Two students without diplomas: Oles Sanin and Serhiy Mikhalchuk got hold of four boxes of long-expired black-and-white film, borrowed a camera from Ukrkinochronika, and went to the Carpathians, to those who live closer to God, and decided to meet the End of the World with them.

The film is dedicated to the historical period of the XI-XIII centuries, the times of Kyivan Rus and the Galician principality.

The heroine of the film is a talented Ukrainian film actress Maria Kapnist. The film acquaints with the well-known family of Decembrists - Kapnists, with the difficult camp past of the heroine, with screen images of Maria Rostislavovna.

Poet Borys Oliynyk, as well as party officials and local residents, recount the coordinated cleanup efforts following the accident at the Chornobyl Nuclear Power Plant.

A movie shot in almost one single take. The parable should not be interpreted in words.

About the difficult fate of the Ukrainian Greek Catholic Church. The film contains 4 parts: "Wreath of Thorns", "Ridges on me", "Neophytes", "And not the seventh seal".