Imagofilm Lugano

Ambulance-chasing lawyers takes on the case of a convicted murderer who, just being released after doing 27 years in jail, claims he was innocent.

Haroun is an old bachelor who has lived in Oran for several years. A retired civil servant, he leads a reclusive life until the day he meets Kamel in a bar—a journalist to whom he tells an incredible story dating back to 1942. He claims to be the brother of ‘the Arab’ killed in a story told in one of the most famous novels of the 20th century, ‘The Stranger’ by Albert Camus. An Arab with an erased name: Moussa. Through anger, assertions, details, and confidences, Haroun finally convinces the journalist to listen to his story. His confession is a cry of freedom and distress—but above all, a cry of revolt: against an abusive mother, against a country that failed to achieve true independence, against a book, and against a famous French writer.

Between 1954-1962, one hundred to three hundred young French people refused to participate in the Algerian war. These rebels, soldiers or conscripts were non-violent or anti-colonialists. Some took refuge in Switzerland where Swiss citizens came to their aid, while in France they were condemned as traitors to the country. In 1962, a few months after Independence, Villi Hermann went to a region devastated by war near the Algerian-Moroccan border, to help rebuild a school. In 2016 he returned to Algeria and reunited with his former students. He also met French refractories, now living in France or Switzerland.

In 2022, an exhibition on the Swiss painter-sculptor Flavio Paolucci was planned in a German museum. The museum had reserved a white wall on which the artist was to create a work. Everything was ready, but the pandemic prevented the 88-year-old artist from travelling. So Flavio Paolucci had the idea of creating this mural in his studio and then destroying it.

Villi Hermann and the cameraman Hugues Ryffel accompany the photographer Jean Mohr on three trips on Japan, Pakistan and Russia.

Amidst the chaos of modern China, where megacities spring up at a dizzying pace, Swiss photographer Andreas Seibert has chosen to document the lives of the "mingong," the migrant workers who fuel the country's economic engine. Director Villi Hermann followed him in this endeavor for several years, immersing us in the photographer's eye and capturing the essence of his work on these forgotten souls. Seibert, with his lens, and Hermann, with his camera, weave together a poignant narrative that sheds light on the often-hidden reality of China's economic growth. "From Somewhere to Nowhere" is an ode to humanity in an ever-changing world, a reflection on the individual's place in the grand scheme of things, and a celebration of the power of photography as a means to capture the spirit of an era.