Alina Film

At the height of her career, Lina, a 34-year-old Argentine stylist, is driven by a sudden impulse after an award ceremony in Switzerland. Back in Buenos Aires, she says nothing, but something in her has shifted – quiet and invisible, it subtly unravels a past she thought she had left behind.

After receiving the diagnosis of an incurable brain tumor, Claudia decides to undertake her last trip to Switzerland. There she can decide how and when to end her life thanks to the help of an assisted suicide association.

On a remote volcanic island that everybody wants to leave, little Nana learns to stay. Her mother, Nia, went into exile right after she was born and Nana grows up in the family of her father. One day, the family learns that Nia is ill. Nana begins to develop high fevers and is sent to the foot of a volcano for treatment. There she encounters a world steeped in magical realism, between dreams and reality. Later, when Nana is a teenager, her mother Nia finally returns to the island.

Ana, her mother and grandmother live in a small town in southeastern Spain where all three are regarded with suspicion.

Michael, a young medium, falls in love with Alice, who is shaken by the recent death of her life companion. The two are forced to confront their "ghosts" in order to get their lives back on track.

At the end of the 1960s the post-war generation began to revolt against their parents. This was a generation disillusioned by anti-communist capitalism and a state apparatus in which they believed they saw fascist tendencies. This generation included journalist Ulrike Meinhof, lawyer Horst Mahler, filmmaker Holger Meins as well as students Gudrun Ensslin and Andreas Baader.

Melilla, a Spanish enclave in Morocco, is a land border between the African continent and Europe. In transit through the city, Malik and his friends, miners of Moroccan origin, try to reach Europe by any means necessary. Day after night, they are up to no good, running the city in all directions, turning it upside down like a glove, like seismographs revealing the most burning present like the movements of the most distant past, taking all the risks to cross the barriers, to cross the waters of the port, climbing on the boats… Stay there, as if dead before being born? Rather "burn the sea" than die before having lived.

Women of mature years talk about their marriage, their first time, their intimate relationship with sexuality. In the repetition of these ancestral rituals, the director questions her own lack of marriage, of children, and with it, a chain of mother-daughter relationships that is dying out.

We are in the late 1980s. As the Eastern Bloc disintegrates, two diplomats united by an old grudge find themselves by chance stationed in Geneva. For almost a decade, they will clash secretly and fiercely, while the map of the world around them is redrawn.

Following Bosnia and Herzegovina’s declaration of independence in April 1992, Bosnian Serb troops besieged and bombed Sarajevo. Over a period of four years, five young filmmakers documented the bombardments and daily life during the siege—for some, the aim was simply to report the news; for others, it was a way of dealing with their fears.