Condor Films

Chronicles the fate of Frieda Keller, a young seamstress in St. Gallen who, in 1904, is accused of murdering her 5-year-old son Ernstli.

A quiet young English girl named Alice finds herself in an alternate version of her own reality after chasing a white rabbit. She becomes surrounded by living inanimate objects and stuffed dead animals, and must find a way out of this nightmare - no matter how twisted or odd that way must be.

This mythic love story set in a timeless, lavishly colorful and mystical Jerusalem incorporates hard rock, striking set design, computer-generated imagery and modern-day tensions between the secular and the Orthodox worlds. Hanan, a handsome young traveler - who has pierced ears and wears grungy flannel shirts - falls in love with Lea, the beautiful daughter of a leader in the religious community. Unbeknownst to the couple, a deal was struck, years earlier, in which they were promised to each other by their fathers. When Hanan consults with a master of Kabbala, a set of mysteriously forbidden eleventh-century texts unleashes untold powers, merging the erotic with the divine and affirming love's infinite potential to transcend all obstacles. The lovers are played by Yehezkel Lazarov (Waltz with Bashir) and Ayelet Z'urer (Angels & Demons; Vantage Point). (from sfjff.org)

“Let us assume that Switzerland is truly a paradise. The music hereto was written long ago. We have merely forgotten it.” (Daniel Schmid) This is the material from which the most Swiss of all operas is made: the legendary Wilhelm Tell – a Swiss hero: straightforward, a primus inter pares of the indomitable freedom fighters, a good shot, surefire. A myth that becomes a poetic playground: nature in turmoil, the struggle for freedom and forbidden love. A legendary overture at a gallop with an iconic post horn motif – all this and much more in the thirty-seventh and last opera by Rossini.

It is carnival time in Munich and participants are overindulging in alcohol and sensual pleasures. "Follow us into madness" beckons Lys who is drunk on life, but the sensitive Henry does not follow him. Lys has betrayed his fiancé, as Henry once betrayed his lost love Anna. In memory of Anna and his cruel Dickensian childhood, Henry challenges Lys to a duel to try to appease his guilt.

After their car breaks down in the French countryside, a young couple must fend off a Nazi mutant and his gypsy mother, a mummy, and a possessed horse.

The rich Westerner embarks on a journey to find his daughter who vanished in Montreal and Zurich. The disappearance is linked to a sect that selects its followers for its heritage, education and physical beauty.

Out of paranoid fear of a nuclear disaster, an elderly couple isolates themselves from the outside world in their small suburban villa. An apocalyptic retreat told with a touch of humor that occasionally makes you shudder and smile at the same time. Will the couple find a way out of their isolation again? A chef who described the quarantine situation as early as 1970.

A young man raises the dead in a high valley where the power is held by Violanta.

In a village in eastern Turkey, tales of the economic success of Turks in Switzerland inspire Haydar to convince his wife Meryem that they must go. He sells their livestock and small plot of land in exchange for passage for two. He wants to leave their seven children in the care of the eldest and his parents; his father advises him to take one son to be educated in Europe. Will anyone reach the land of promise?

An expert magician is hired to entertain world leaders at a peace summit. Unfortunately, he finds himself hopelessly entangled in an elaborate terrorist assassination plot.

Robert Young brings his Marcus Welby alter ego to television for one last time. Having retired, the good doctor takes a trip to Europe alone and falls in love with an American divorcee who is caring for a blind dancer.

Unrelenting snowstorms cut off a mountain village from the outside world before tourists and a group of soldiers with their sick horses escape from the valley. The first avalanche has buried the road and railroad tracks. People and livestock crowd into the few houses that are still safe and the undersized hotel. Manfred and Jutta, who have been vacationing here with their seven-year-old child, have to give up their child's room for evacuees. In the tension of this first night, when they cannot avoid each other, accusations that have long remained unspoken erupt between them. Embittered, Manfred goes so far as to provoke Jutta into having an affair and is shocked when she does not defend herself more vigorously. Hurt and curious, she allows herself to be seduced by a French-speaking soldier.

For Véronique and Pierre, it's a strange Saturday: unusual encounters and unpredictable events follow one after another...

Michel and Paul earn money from passers-by by doing chalk drawings outside the Louvre. They also make the scene at the hot spots of Paris. Sand is a wealthy and luscious blonde artist who paints nude girls and houses at her loft. When Michel's gorgeous sister shows up from out of town, both Paul and Sand fall for her.

Sweet, 12 year-old Stefanie, played by child model Soraya Da Mota, dreams of attacking her parents with a flail.

Can a single building impact the career of an architect, the image of a global company and even the skyline of a big city? Just a month and a day after the disastrous attack on the World Trade Center in New York, the first steel beam of a new tower is erected in London. One question is on everybody’s mind: is it the right decision to build a new iconic tower in the midst of London’s financial district, on a site that has already been bombed before? The 40-storey steel and glass tower sparks further controversy. Norman Foster, one of Britain’s most visionary architects, calls his design for the new Swiss Re London headquarters ‘radial – socially, technically, architecturally and spatially’. In fact, its size and shape are so radical that it is almost immediately nicknamed ‘the erotic gherkin’. Will the Gherkin become the landmark they all dream of?

This 1953 color film directed by Alan S. Lee and produced by Condor Films, Inc. of St. Louis for the Wabash Railroad Company features Barry Hopkins, Charles Flynn, Mina Kolb, and the personnel of the Wabash in a promotional travelogue that highlights the convenient offerings of the “Blue Bird” streamlined passenger line. The film features the songs, “You Can Bank on the Wabash” by Tom Hayes & Stan Kay and “Riding the Wabash Road” by Cy Elsmo.