Pandit Lakhmi Chand State University of Performing and Visual Arts

The film emphasizes the toll the pandemic has had on the mental lives of young and ambitious individuals. While COVID-19 continues to exacerbate physical vulnerabilities across the world, the film tells us about human nature and touch.

An ordinary day in the Indian hinterlands. A land surveyor dreams of his village where trees are being numbered and the radio forecasts a thunder storm.

Bheem (56) a strict but respected retired teacher with diabetes is sending an invitation for tomorrow to the whole village for his only son’s wedding, except his estranged younger brother’s family due to a lingering feud. Overworked and stressed in the wedding preparations Bheem gets a diabetic attack at night. He reverts to his former authoritarian self Bewildering villagers and family. This unexpected turn of events leads to a heartwarming realization.

Bare Feet Captures the Specious life of Ragpicking children. It explores the innocence of these children. As the film gets deeper into their lives it uncovers their Horrifying situation which is ruining their childhood with no hopes of the situation getting any better.

When reality is not going your way, one escapes into dreams. But when one doesn't have dreams, they escape into the process of creating that dream, that film. Reverie explores the state of mind of the filmmaker and the chaos of it.

Filmmaker resonates with the emotions and experiences of three women, belonging to the different backdrop of social province, who have carved out a way with their family and their journey of holding back their opinions and emotions while sharing a resemblance of an obscure quietness between them.

The film resonates with the constraining situations of the labour class, where it shall focus at how these people reflecting in their own ways and negotiating in life with strength.

A family of three are in between a mediator session, happening in a domestic court. The parents get in a turmoil of divorce, where the kid happens to overhear them.

In a house stalled amid renovation, Tulsi lived with her grandfather. she builds a hidden world with her lover woven by deep buried desires. While the house gets completed and the lover is destined to leave, their fragile world begins to collapse.

This short documentary explores the changes in film viewing experience, which over time has become less social and more solitary. Through creative use of the audio-visual medium and conversations with cinephiles of different generations, the filmmaker explores his nostalgia for the past and anxiety regarding the survival of theatres in the future.

On one normal day of her work, a housemaid gets to know that she will loose her job to a robot servant.

The imposition of the idea of God in children's lives will be brought out in the narrative through the help of the filmmaker's own experiences with God and religion. Invariably, patriarchal systems makes us inculcate the practice of not questioning what elders or parents for that matter teaches or introduces to us, even if it may be an imposition of sorts in the name of social identities.

In a rustic village in Haryana, lives Batto, a genial yet alcoholic elderly man, who seeks to sell the last piece of his land to live with his estranged friend, Sultan. Batto’s wife died a decade ago in an accident, leaving him with an adopted son, Bittu, who desires to inherit the last piece of land for himself. Bittu deceives Batto over the death of his wife, prompting Batto to question his relationships, his choices, and the life he has led with the Sultan and alcohol. Sultan, who harbours doubts, confronts Batto for the truth. Through trials of deception and betrayal, Batto learns the importance of scepticism, resilience, and the enduring strength of genuine friendship.

In a bustling high-rise, young Kartik’s summer ignites with art lessons from his neighbour, a middle aged Uncle. As their bond deepens Kartik’s admiration evolves into a labyrinth of emotions leaving him unsure and in limbo.