Clasa Films Mundiales

Calculating Aime sends her sister Monica to distract a love-struck smuggler, Juan del Diablo, when he threatens to reveal their affair to Aime's new rich husband. They are discovered alone together and to save Monica's virtue, Juan del Diablo promises to marry Monica.

Poor, hungry peasant Macario longs for just one good meal on the Day of the Dead. After his wife cooks a turkey for him, he meets three apparitions, the Devil, God, and Death. Each asks him to share his turkey, but he refuses all except Death. In return, Death gives him a bottle of water which will heal any illness. Soon, Macario is more wealthy than the village doctor, which draws the attention of the feared Inquisition.

Nearly thirty years after making his surrealist La Formula Secreta, director Rubén Gámez returned to filmmaking with this impressionistic portrait of modern-day Mexico. Reminiscent in some ways of Godfrey Reggio’s Koyaanisqatsi, Tequila appears to be a cinematic extension of Mexico’s muralist tradition, a contemporary equivalent of Diego Rivera or David Alfaro Siqueiros with vignettes, quick ideas, visual puns, cartoons, and political statements.

Romance melodrama set in 19th century Colombia.

Story of a timid provincial girl Natacha Cervantes, who moves to the capital and enters to work like a maid in the house of the Pereira Family where she falls in love with the rich boy Raul Pereira.

Young actress advances her career by choosing boyfriends judiciously.

Evangelina murders her lover Alberto. In prison she meets Dora, Alberto's girlfriend, who was deprived of her freedom for his illicit business. An interesting story is about to be woven.

A ruffian sends his assistant to force a peasant girl to marry him, but while he is bringing her to him, he falls in love with her.

A 17th century woman, imprisoned for fighting in a bar, recounts her past to a priest. She tells of her father teaching her how to fence, of being sent to a convent by her aunt when her father died, of escaping by dressing as a man, and of her life as a man following the escape.

The traumatic story of an old bourgueoise in Mexico City, his relationship with his crazy grandmother, his sexually troubled past and his sick crush on the young and beautiful maid of the house.

This is an early film from Director Gilberto Martinez Solares, who would go on to become better-known for his unique perspective on horror films of the 60's and 70's - like "Santanico Pademonium" "Face of the Screaming Wolf" and his own "House of Terror", (these features, in turn, would inspire future award-wining Directors such as Tarantino and Del Toro). As far as Resurreccion goes, it is a semi-historical Drama, based on Leo Tolstoy's novel also titled "Resurrection" . However, Solares' movie loosely uses the start of the 1910 to 1920 Mexican Revolution as its cornerstone, (instead of the Russian battle that Tolstoy relied on for his 1899 literary work ). It essentially documents one man's effort to find redemption for his past sins. It stars actors Emilio Tuero, Lupita Tovar, Sara Garcia and Jose Pulido, among others.

Mexican feature film

Divorciadas tells the story of three women: Cristina, recently divorced after refusing to endure her husband's lack of love, especially following the death of their young son; Carmen, divorced for many years and living on the fortune left to her by her late husband, leading a free and unconventional life; and Juanita, an employee at the courthouse where she meets Cristina, married but long abandoned by her husband.

A young man completing an assignment for his film class invites Marieda, a middle-aged woman, over to his aunt's house to rehearse for a drama she believes they will eventually record. But she doesn't realize that she is being videotaped since her arrival.

A young woman loses her mind when she finds out that her uncle and his boyfriend met in a train accident.

In a Mexican village during XIX century, word spread of a curse. Old José tells Carmen about the curse surrounding the Bridge of Punishment, said to affect anyone who wishes for another person’s death.

Confronted with the unfortunate news that their favorite Streetcar, no. 133, is going to be decommissioned, two Municipal Transit workers get drunk and decide to "take 'er for one last spin," as it were. Unfortunately, the "one last spin" ends up being an all-night and all-day scramble to stay out of trouble, as they are confronted with situation after sometimes bizarre situation that prevents them from returning the "borrowed" Streetcar!

A useless and bloody vendetta has been going on for ages between two families in this Mexican village. Men, sons, have killed each other for generations, for a so-called conception of honor in a revenge that never ends since it is also triggered by people of the village. Now, today, there are only two sons left, one in each family. One has become a doctor in the big city and his culture is modern. The other last one - of the other family - hasn't left the village and is waiting for the doctor to come "home" as he plans to kill him, to settle this war on this matter of honor once and for all. And the people of the village want blood.

Two teenage friends spend their summer break preparing for the sexual conquests they hope to experience. That is, until one of the boys is visited by his older, more sexually aggressive cousin, Azucena. Ushering her naïve cousin into the world of sex could take more work than Azucena realized.