Film School of the Aristotle University of Thessaloniki

Nina knows why her grandfather hates her – obviously because she’s a lesbian. Time to come clean. In the weirdest car ride of their lives, Nina and Stathis will have to finally talk to each other whether they like it or not.

A music documentary that invades and highlights the queer music community in Thessaloniki. Through conversations with the artists capétte and Demetria, concerns, personal searches and dreams are expressed, which go beyond the geographical space of Thessaloniki, and build a more rounded image around the representation of the LGBTI+ community in the music industry and in art.

Maria and Nikos, a married couple coping with alienation, are spending the weekend at a hotel nestled in nature, by the river Acheron. During their stay, they will try to find new balance in their relationship.

Nikos, a low-key man, works as an assistant accountant in an insurance company that is facing financial problems. The main accountant of the company and his superior, Mr. Alexandridis, is a demanding and rude man, who takes advantage of Nikos and his slavery. When one night, Nikos accidentally sees two men threatening Mr. Alexandrides on the street, the balance in Nikos' life changes.

In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.

Two friends, a boy and a girl, at the age of 16, decide to deal with the taboo of being naked.

A haunting experimental stop-motion animation that reveals the violence of heteronormativity, gender and patriarchy on trans bodies. Erma, neutral: Principles or motives that guide one's behavior or actions. A film about gender, the body and all their intertwining moments in between. Through an abstract stop-motion / body horror narrative point of view it attempts to highlight the continuous process and struggle of the construction of gender subjectivity against the oppressive power of heteronormativity. From birth to death the error in the code of patriarchy is subjugated and resisted, emerging but also trapped by the erinyes of the social. With an ironic and critical mood and intense religious symbolism, Erma highlights the contradictions of gender composition both in the field of solitary subjectivity and in the dominant heteronormative narrative. Gender identity is a war waged in the trenches of the body.

Stamatis cannot get over his breakup with Katerina. He stays locked inside, until one night Katerina visits him with one purpose only: to get him out of the house.