Booster Project

After her brother goes missing, a young psychologist visits an infamous haunted and cursed location known as ‘Howling Village’ to investigate his disappearance and uncover her family’s dark history.

Having launched a social media prank about a haunted building, three girls suddenly vanish. Rumours circulate that they were victims of The Ox-Head Village curse, triggering an investigation by two of their friends, desperate to find the truth about what has happened…

A homeless man meets a medical school student who pays him to volunteer for a surgical procedure known as trepanation, drilling a hole in his skull, which ends up giving him the ability to communicate with the dark side of people’s subconscious minds.

Takashi Shimizu's newest film is about a mysterious cassette tape containing a melody. People who hear this melody gradually begin to hum it themselves and become involved in a mysterious incident. What is the mystery behind this melody ?

During the summer vacation period, temporary teacher Honoka Kimijima is in charge of a supplementary class. One day, a female student suddenly jumps off from the school rooftop and dies in front of Honoka Kimijima.

One day a mysterious box arrived and a curse began to spread all over. The source of the box is 'Jukai Village'. The village is hidden in Jukai Forest, a suicide spot that once you enter it, you can never come out.

Kohei, a deaf university student, meets lively Taichi and finds rare connection. But as their bond deepens, Kohei must confront his fear of growing too close.

Kanto, 14, a descendant of Japan's indigenous Ainu people, decides to visit a hole in the forest — a path to the other side of the world where dead people live, hoping to see his deceased father.

A young woman's visit to her grandparents' home leads to the discovery of what's brought them happiness, a revelation that will lead her to question her choices, sanity and reality itself.

This film is based on a collection of letters written by Motomura Hiroshi, a surviving relative of a mother and child murdered in Hikari City, and his wife while he was still alive. A moving story that vividly depicts the happy days from when the two first met until the day of the murder, and their encounter with the new life they were blessed with.

Three patients of different backgrounds, illnesses and stages are being treated at a psychiatric clinic in Nagano Prefecture. Their cases range from the criminal to merely asocial. That should be that, but soon matters take a darker turn when a corpse turns up and a murder has occurred. The culprit fingered is one of the patients.

The year is 2020, the middle of the corona crisis. Art student Itsuka has her graduation exhibition canceled and must take home the piece which she had been working on for a year. In a whirlpool of emotions she clashes with her worried parents, her little sister overreacts to the virus and even her usually calm friend Hirai starts to build up frustration. In the middle of all that, she re-unites with Tanaka, who gave her the opportunity to absorb herself in painting, clashes with Hirai over their true feelings and tries to face her own future.

Kentaro is an unsocial 35-year-old who lives with his parents and has never dated a woman. When Kentaro’s parents set up an arranged marriage interview with a girl named Nahoko and her parents, he falls in love for the first time in his life. However, the pair soon run into unexpected obstacles. Nahoko is vision impaired and can’t seem to break free of her doting parents. Meanwhile, Kentaro has no idea how to deal with the surge of new emotions he’s feeling.

Hana is a normal high school student, unsatisfied in her daily life. One day she had a dream and met a 10-year-old girl living in Sengoku Era. The girl lives hard with poverty and misfortune in that world and the two are going to have a sisterhood friendship. When Hana wakes up, she is taken away by the government special agency and subject to severe scrutiny about her dream. There is something called Akashic Record and the destinies of all humans follow that record. And the future record of all mankind is gone in a month. The key to solving the problem is the girl who appeared in Hana's dream.

Based on 16-year-old writer Sarie Hinakura’s award winning story Jellyfish is centered around two adolescent girls disconnected from their immediate environment of school and mates. They first get together while staring into a jellyfish tank at a local aquarium. The relationship that ensues eventually faces tension from the divergent personalities of the two protagonists, one of whom explores a heterosexual relationship with a fellow student. Jealousy and the wrath of a lover spurned are inevitable spillovers.

Keita discovers a missing boy in the woods and soon receives a mysterious videotape from his estranged mother.

Good People is a human drama set in modern Tokyo, where nationality and background intermingle in everyday life. The story follows three young adults — each overwhelmed by a sense of powerlessness — whose lives unexpectedly intersect as they search for meaning, connection, and the courage to reclaim the dreams they once abandoned. Originally screened under the title Pancakes, the film stars Jay West, Dante Carver, and Asami Imajuku, alongside strong supporting performances from Sei Ashina, Tetsuji Tamayama, Yoshinori Okada, and Yuri Nakamura.

Azusa (Anna Ishii) and Narumi (Fuka Koshiba) are 2nd grade high school students. They lack confidence and also any kind of ambitions. Hazuki (Karin Ono), Tamaki (Mika Akizuki) and Mika (Miku Uehara) are also unnoticed students at the same high school. These five girls form a dance club and begin to dance to get credits. They soon learn the joys of dancing and also learn to express themselves.

The Harimaya Bridge is a drama about an American man who must travel to rural Japan to claim some important items belonging to his late son, from whom he was estranged. While there, he learns several secrets his son left behind.

Years after she related to him the story of her parents’ death in a fire, for which – rightly or wrongly – she feels responsible, Japanese psychiatrist Dr. Sanada meets his former patient Azusa once again. Back then, she lambasted him for being wrong for the job. Back then, he let slip that she isn’t actually crazy. Now she’s a prostitute living in precarious circumstances in Los Angeles and is accused of murder, with her memories once again moving inexorably towards a fire. Sanada assesses her in the presence of an investigator who appears not to understand Japanese. Is Azusa now mentally ill for real? Was she back then? And why does the description of her tormentors upset him so?