Jörn Donner Productions

Goodbye Gibraltar, directed by Ulrika Bengst, is a film about reconciliation, encountering different lifestyles and dreams.

Finnish porn movie producer Pertsa returns from America to his home country to continue his profession with hopelessly small budgets and incompetent casts and crews. A self-ironic satire about director Donner's scandalous fame in late 1960s Finland, notorious for a graphic long shot of his penis pointing northeast.

In this melodrama about love in wartime, Angela (Ida-Lotta Backman) is a Finnish nurse in Lapland who begins a torrid affair with Thomas Schmidt (Mathieu Carriere), a wounded German army captain. Their love for each other is verboten in Finland, where the Germans occupy northern Lapland until the end of the war. Finland had formed a brief alliance with Germany to fight an invading Russia in the winter of 1939, but when the Russians won that battle and took more than 16,000 square miles of land away from Finland, it was too late to successfully rout the Germans from Finnish soil. So for the entire war, the Finns were fighting Germany on their own national territory -- which makes the love affair between a Finnish nurse and German soldier a very complex issue. While Angela receives different reactions from her friends, acquaintances, and relatives, she continues on with her love for the German, against odds which are greater as time goes by.

In summer 1944 Finnish Karelia, Martta hastily marries Aarne before evacuating alongside newborn Hilkka’s family, Helmi Elisa and their grandmother as Soviet forces advance. Amidst chaotic retreat, the women struggle to stay united and fatefully intersect with Aarne and Arttu, but the relentless offensive exacts heavy suffering and loss on both civilians and soldiers.

Film adaptation of Vladimir Nabokov's debut novel, 'Mary'.

Tuula's husband Jukka takes care of all domestic chores. Tuula seems to have no idea that her husband spends his evenings working as a major league ice hockey referee. She also finds out about his extra-marital affair with a female rally driver. In revenge, Tuula starts seeing her gynecologist Timo Paasi, a married man with six children.

By chance Erik meets Viivi, an Estonian violinist playing in the Stockholm subway. They start an intense romance. Erik's mother dislikes the relationship, not having forgotten her escape from Estonia during the war. She reveals facts from the past and Erik finds out that his Swedish father adopted him. His real father was an Estonian nazi. Viivi has grown up in communist Estonia where her father was a party member and worked for the KGB.

The events surrounding a factory in a small town are gone through in documentary style.

Finnish friends escape taxes to Florida.

In this somber, psychological drama about the conflict between a man's innermost feelings and a society that puts these feelings in a strait jacket, the mood is ruminative and depressing throughout. Alone, Viktor (Sven Wolter) heads off for his usual summer vacation to some islands where he can ostensibly look for antiques for his wife's shop in Stockholm. His marriage is a failure or worse -- he raped his wife before he left home, and he is obsessed by erotic imaginings. Once on the islands, he makes friends with a little girl whose mother is mentally disturbed and is kept by her husband in a locked room. The islanders are as tight-lipped as Viktor, and any communication is stiff and artificial. Viktor's own alienation begins to slip as he takes surprising, violent action to turn around the imprisoned mother's life -- but it does not work, nothing seems to work -- and his last actions indicate that he may not be willing to simply give up.

Harri is one of Sweden's many Finnish immigrant-workers. While in Sweden, the illiterate Harri marries and has a child. After accidentally killing a man in a fight, he flees back across the border to Finland and begins to pick up the pieces of his life, but soon, the police come looking for him.

In commemoration of the 100th anniversary of Ingmar Bergman the Finnish writer and director Jörn Donner shares his memories of his friend and collaborator. The movie is based on two as yet unpublished TV interviews with Bergman which Donner filmed in 1975 and 1987.

A doctor, her daughter, and her young housekeeper spend their summer on a remote island.

Finnish Kerttu Nuorteva is spying for the Russians in Helsinki during World War II. She is arrested and interrogated in the hope that she will uncover the Soviet Union espionage tactics.

Long-time cohabiting couple Petteri and Liisa wake up with a terrible hangover and realize to their horror that they got married the night before. Throughout the day, the couple argues and reminisces about their previous relationships, but by evening they are ready to reconcile.

Paavo Mäkinen's alcoholism is hard on the whole family. His wife Terttu falls into depression and is hospitalized. Their children Marja, Tapsa, and Sanna each show symptoms in their own way: leaving home, drinking, skipping school. Will Paavo manage to stop drinking for the sake of his family?

On the eve of the Finnish Civil War, the film follows the last days of Alfred Kordelin, the richest man in Finland.

Manne, Harri, and Ville Alfa are rootless twenty-somethings in search of purpose for their banal lives. After Manne steals a priceless painting from a group of petty criminals, Manne and Harri flee from the gangsters across Finland, while Ville goes to Paris. On the road they meet Veera, an old girlfriend of Harri's, and try to avoid the gangsters in pursuit.

Docudrama about the Soviet occupation of a Finnish village in the fall before the Winter War.

Minister Korkolainen happens to bump into his ex-girlfriend from years ago. They end up spending the night together, discussing the past and politics.