The New Yorker Studios

A prisoner in a state-of-the-art penitentiary begins to question the purpose of the emotion-controlling drugs he's testing for a pharmaceutical genius.

When Margot, a college sophomore, goes on a date with the older Robert, she finds that IRL Robert doesn’t live up to the Robert she has been flirting with over texts.

With depth, intimacy, and humor, FLOAT! captures filmmaker Azza Cohen's magnetic grandma’s life-affirming journey learning to swim at 82, inspiring audiences to defy societal expectations of aging and to boldly look forward at every stage.

Ken Bone became an overnight sensation after participating in a Clinton-Trump town hall in 2016, but the excitement of the moment came with some unexpected consequences.

Tired of being treated like a child by everyone due to his physical limitations, Jonathan, 29, embarks on a wild and heartfelt trip to Panama with unlikely companions to confront the doctor who caused his disability.

A property dispute led to one family's displacement from their ancestral home. Today, their youngest daughter is left to pick up the pieces—all of them fitting within two storage units.

A quiet take on a very noisy subject—the rise of hate and intolerance against the LGBTQIA+ community—as two young brothers observe and absorb their first Drag Story Hour. A refrain of “It’s okay” underscores their experience, and this simple utterance takes on a multitude of meanings in its repetition, from assurance to question, hope to fear.

When Kim Acquaviva’s wife Kathy was diagnosed with late-stage ovarian cancer, the couple decided to share the day-to-day realities of her slide toward death that doctors can’t always provide.

Serving a life sentence, Joe Garcia finds an unexpected lifeline in the music of a pop superstar. From inside his prison cell, her songs reconnect him to the possibility that his life might still hold meaning. As he prepares for his first real chance at freedom in decades, Garcia goes into an emotional journey toward accountability, reconnection and redemption.

An intimate and existential exploration of how a father’s attempt to defy death affects his family’s lives.

Reality in Ukraine was divided into two periods - before the war and after. Every citizen tries to be useful in this national resistance. Ukrainians change their professions and adapt to the needs of wartime. In art workshops, sculptors make anti-tank obstacles. Silent figures of Ukrainian figures, angels, Cossacks and multiple copies of Jesus Christ, like a terracotta army, froze in anticipation of new creations. Masters weld metal defenses for the Armed Forces of Ukraine.

A family fights to stay together in the face of persecution by the Texas government for loving their transgender kid.

"Luke Mogelson followed Trump supporters as they forced their way into the U.S. Capitol, using his phone’s camera as a reporter’s notebook" (The New Yorker).

Highlighting the heroic efforts of Dorothy Oliver to keep her small town of Panola, Alabama safe from COVID-19, The Panola Project chronicles how an often-overlooked rural Black community came together in creative ways to survive.

For the past forty years, Igor Pasternak has pursued a lighter-than-air vision: to build gigantic airships that haul cargo to otherwise inaccessible parts of the planet. In high school, in Ukraine, Pasternak formed an airship club; at Lviv National University, where he studied civil engineering, he established an airship-design bureau. Eventually, he settled in southern California and started Aeros, which builds blimps for surveillance and other purposes. His prototype cargo airship, the two-hundred-and-sixty-foot-long Dragon Dream, was destroyed in 2013 when its hangar collapsed on it. Unfazed, Pasternak now aims to produce a fleet of “Aeroscraft” cargo airships, the largest of which will be more than nine hundred feet long and able to carry five hundred tons. Pasternak spoke recently with the director and producer Gabe Polsky. Polsky’s documentary, “Red Army,” played at the 2014 Cannes, Telluride, Toronto, and New York Film Festivals, and was released in theatres in 2015.

Tells the story of a Bronx housing project’s floodlights, which some residents find oppressive.

Mammoth Pictures has inked a deal out of Cannes with the Bulgarian production company Bazuka to exclusively develop and produce a narrative feature take on the cultural tradition spotlighted in Kukeri, their documentary short produced for The New Yorker.

On the verge of her 90th birthday, a grandmother reveals to her grandson the painful story of her sister's disappearance during the Holocaust and the survivor's guilt she carries.

A documentary short follows Matthew Ballard, an aging Brooklyn locksmith struggling to unlock a higher acceptance to the changes in his life and city.

Every few days in New York City, a subway operator stops a train, speaks the phrase "12-9" into a radio, and waits what may feel like an eternity for a police officer to arrive and inspect the train and tracks. In the parlance of the Metropolitan Transportation Authority, 12-9s describe collisions between trains and people. In 2019, the M.T.A. recorded a hundred and ninety-five 12-9s, the highest number in at least a decade. About a third are fatal. "After the 12-9" follows three subway operators through their recovery process after their involvement in deadly collisions, as they battle PTSD, nightmares, and guilt. Although all three of them are left with different feelings towards their jobs, they are united by their collective experience of a very specific type of grief: the emotional weight of a death that one had no power to stop.