The New Yorker Studios

A prisoner in a state-of-the-art penitentiary begins to question the purpose of the emotion-controlling drugs he's testing for a pharmaceutical genius.

When Margot, a college sophomore, goes on a date with the older Robert, she finds that IRL Robert doesn’t live up to the Robert she has been flirting with over texts.

On the verge of her 90th birthday, a grandmother reveals to her grandson the painful story of her sister's disappearance during the Holocaust and the survivor's guilt she carries.

An intimate and existential exploration of how a father’s attempt to defy death affects his family’s lives.

Reality in Ukraine was divided into two periods - before the war and after. Every citizen tries to be useful in this national resistance. Ukrainians change their professions and adapt to the needs of wartime. In art workshops, sculptors make anti-tank obstacles. Silent figures of Ukrainian figures, angels, Cossacks and multiple copies of Jesus Christ, like a terracotta army, froze in anticipation of new creations. Masters weld metal defenses for the Armed Forces of Ukraine.

Tired of being treated like a child by everyone due to his physical limitations, Jonathan, 29, embarks on a wild and heartfelt trip to Panama with unlikely companions to confront the doctor who caused his disability.

Serving a life sentence, Joe Garcia finds an unexpected lifeline in the music of a pop superstar. From inside his prison cell, her songs reconnect him to the possibility that his life might still hold meaning. As he prepares for his first real chance at freedom in decades, Garcia goes into an emotional journey toward accountability, reconnection and redemption.

With depth, intimacy, and humor, FLOAT! captures filmmaker Azza Cohen's magnetic grandma’s life-affirming journey learning to swim at 82, inspiring audiences to defy societal expectations of aging and to boldly look forward at every stage.

A property dispute led to one family's displacement from their ancestral home. Today, their youngest daughter is left to pick up the pieces—all of them fitting within two storage units.

Living in downtown Toronto to attend school, Lina Li returns to the comfort of home in Thornhill and her mother's cooking. In this candid short, filmmaker Lina Li and her mother engage in an intimate conversation about immigration to Canada, misunderstandings, barriers to communicating, love and the taste of home.

Highlighting the heroic efforts of Dorothy Oliver to keep her small town of Panola, Alabama safe from COVID-19, The Panola Project chronicles how an often-overlooked rural Black community came together in creative ways to survive.

Tells the story of a Bronx housing project’s floodlights, which some residents find oppressive.

A quiet take on a very noisy subject—the rise of hate and intolerance against the LGBTQIA+ community—as two young brothers observe and absorb their first Drag Story Hour. A refrain of “It’s okay” underscores their experience, and this simple utterance takes on a multitude of meanings in its repetition, from assurance to question, hope to fear.

A documentary short follows Matthew Ballard, an aging Brooklyn locksmith struggling to unlock a higher acceptance to the changes in his life and city.

When a South Florida trailer park is slated for closure by its owner, the evangelical TV network TBN, residents have until the end of the year to fight the eviction or find new homes.

Radical Love explores the subversive political activism and fierce love connection of Michael and Eleanora Kennedy, a husband-wife legal team who represented a who’s who of the politically subversive class in the 1960s and 70s. At the center of the story is their most notorious clients and closest friends, founding members of The Weather Underground Bernardine Dohrn and Bill Ayers. Now as a widow, Eleanora reflects on a marriage and life in the crosshairs of politic activism, government surveillance, and deep passion.

A group of Malian refugees trained themselves to battle relentless bushfires, protecting their camp, their livelihood, and Mauritanian locals in a short documentary by David Alexander.

For the past forty years, Igor Pasternak has pursued a lighter-than-air vision: to build gigantic airships that haul cargo to otherwise inaccessible parts of the planet. In high school, in Ukraine, Pasternak formed an airship club; at Lviv National University, where he studied civil engineering, he established an airship-design bureau. Eventually, he settled in southern California and started Aeros, which builds blimps for surveillance and other purposes. His prototype cargo airship, the two-hundred-and-sixty-foot-long Dragon Dream, was destroyed in 2013 when its hangar collapsed on it. Unfazed, Pasternak now aims to produce a fleet of “Aeroscraft” cargo airships, the largest of which will be more than nine hundred feet long and able to carry five hundred tons. Pasternak spoke recently with the director and producer Gabe Polsky. Polsky’s documentary, “Red Army,” played at the 2014 Cannes, Telluride, Toronto, and New York Film Festivals, and was released in theatres in 2015.

Mammoth Pictures has inked a deal out of Cannes with the Bulgarian production company Bazuka to exclusively develop and produce a narrative feature take on the cultural tradition spotlighted in Kukeri, their documentary short produced for The New Yorker.

On an unknown date in August 1966, trans women in San Francisco's Tenderloin district rioted against police violence at Gene Compton's Cafeteria. There was no news coverage, and the arrest records no longer exist. Decades later, historians Susan Stryker and Victor Silverman unearthed the history of the riot and interviewed the surviving “Compton’s queens.”