Columbia University School of the Arts

A woman misses her train and buys lunch in a café. When she returns to her table, a man is eating her salad.

A young wife's downward spiral is triggered by suspicions of her husband's infidelity.

Playing hooky from school, Tony, a student/chorister at the Cathedral of St. John the Divine, spends the afternoon at Central Park's Sailboat lake and retrieves a remote control device left behind by a pair of sailboat racers. Back in the schoolyard, Tony pretends that he has a car to go with the remote control. When another boy tries to take the control from him, it falls on the ground and a red remote-control sports car miraculously appears. The car "dances" to rap music and even brings Tony a can of soda. One day, a sinister-looking man with a briefcase steals the car and flees into the subway. Tony and his classmates pursue the thief to the Wall Street area and ask to inspect the briefcases of passing businessmen. Eluding the students, the crook hails a taxi and hurls the briefcase from the window. Next morning, Tony hears the sound of a sports car during a church service. Returning to its rightful owner, the magical car mysteriously reappears at the end of the processional.

Boy has a scary visit to the barber

Wall Street business executives Bowers and his assistant Lisa get stuck in an elevator where the lingo of commerce is transformed into the language of love.

A girl battling leukemia and her single father fall into a well of paranoia when the girl experiences visions of a tumor-covered creature.

An mad, unhinged chef and his futile attempts at killing a cockroach in a restaurant kitchen. This film takes its cues from the giant-insect films of the 50's such as "Them!" (1954) and a nod in the direction of Kafka's "Metamorphosis."

Deals with the efforts of Native Americans to preserve their culture in the face of that of the majority and the trials that often accompany the intersection of these two cultures.