Casa de Cinema de Porto Alegre

When they discover their town lacks funding for a sewage system, but does have a federal grant to make a movie, a group of villagers decide to make a sci-fi joint about a monster who lives in the building site of a septic tank.

A young photocopier operator becomes infatuated with his neighbor and, unable to afford anything from her shop, turns to shady schemes to make money.

Stênio, the nightshifter of a morgue, has the ability to communicate with the cadavers that are brought to him every night.

A tomato is planted, harvested and sold at a supermarket, but it rots and ends up in the trash. But it doesn’t end there: Isle of Flowers follows it up until its real end, among animals, trash, women and children. And then the difference between tomatoes, pigs and human beings becomes clear.

Adelaide and Virgínia met in 1937, a year after the German arrived in Brazil, fleeing the Nazi persecution of the Jews, where she came with her husband and two daughters. Together, they founded and popularized psychoanalysis in Brazil, breaking down barriers and prejudices. They were doctor and patient for 5 years, colleagues for more than 30 years, great friends their entire lives.

Éder is arrested after confessing the murder of a man. Duca, his nephew, is sure that his uncle confessed the crime to protect his girlfriend, Soraya, ex-wife of the deceased, so he enlists two of his friends to help prove his theory.

A coming of age dramatic comedy dealing with the effect that two "summers" have on the lives of several teenagers. The main story involves an innocent teenage boy and a conniving teenage girl who meet on a beach one summer in Southern Brazil. They meet up again the following summer

Joao is a 50 year old actor who lives with his 72 year old mother, Celina. He spends his time between his work at night as a crossdresser in small gay bars and his parts in small plays, movies and TV shows. Tormented and haunted by ghosts from his past, day after day Joao starts to merge the reality in which he lived with the fiction he is interpreting.