Jeonwonsa Film

​Having stepped back from acting after marriage and a subsequent divorce, actress Bae Jeongsu returns to the profession with a role in an independent film. As the film’s release approaches, she takes part in a series of press interviews, only to discover later, when asked to revisit those moments in her acting class, that she cannot clearly recall what was said.

In a foreign city, an actress wanders through a seaside town, reflecting on her relationship with a married man. How important is love in one’s life? Younghee wants to find out.

By mistake, film director Ham Chunsu arrives in Suwon a day early. With time to kill before his lecture the next day, Chunsu stops by a restored, old palace and meets an artist named Yoon Heejung. Together, they go to Heejung's workshop to look at her paintings, have Sushi with Soju for dinner, and get close. Later, they go to another café and have more drinks with Heejung's acquaintances. When asked if he is married, Chunsu is forced to reveal the fact that he is, and Heejung gets deeply disappointed...

Facing her mother’s departure and the weight of a secret affair with her professor, college student Haewon drifts through a series of encounters and dreams, blurring the lines between her desires and reality.

While her husband is on a business trip, Gamhee meets three of her friends. She visits the first two at their homes, and the third she encounters by chance at a theater. While they make friendly conversation, as always, several currents flow independently above and below the surface of the sea.

With her brother, Sang-hee visits her mother on Jeju Island. It’s been 10 years. Her mother's restaurant has become a hit. Her stepfather is making a film about a "grass tomb". His daughter has just started painting. Previously unknown facts, needless advice, and cheap compliments are passed back and forth. On the morning of her departure, the other family members watch one of Sang-hee’s films.

A movie director entices his young friend to come to the beach on the pretext of writing a script. He then starts an affair with the friend's girlfriend.

Sunhi, a film major graduate, visits her school to ask her Professor Choi for a recommendation letter to study in U.S. Knowing the professor favors her, she expects a good recommendation from him. Out from her shell after a long time, Sunhi also ends up meeting two men from her past: Munsu, her ex-boy friend, and Jaehak, a director who graduated from the same film school. Through the encounters between Sunhi and the three men, they give each other an 'advice on life' with good intentions. The three men who all have strong interests in her are led to guess and define her, unable to tell how she really feels inside. Strangely, the mentioned advices and traits of her are similar and seem to pass from one person to the next. The words of 'advice on life' seem doubtable and slip away as the three men's thoughts on Sunhi become more and more irrelevant.

A young woman and her mother run away to the seaside town of Mohang to escape their mounting debt. The young woman begins writing a script for a short film in order to calm her nerves: There are three women named Anne, and each woman consecutively visits the seaside town of Mohang. A young woman tends to the small hotel by the Mohang foreshore owned by her parents. A certain lifeguard can be seen restlessly wandering up and down the beach that lies nearby. Each Anne stays at this small hotel, receives some assistance from the owner's daughter, and ventures onto the beach where they meet the lifeguard.

In Seoul, a suicidal student meets a young woman who decides to join him in his fatal gesture. Dongsoo, an unsuccessful filmmaker, spots a beautiful young woman, who happens to be the lead actress in the film he has just seen. Their stories will cross paths thanks to their love for cinema.

Kwon returns to Seoul from a restorative stay in the mountains. She is given a packet of letters left by Mori, who has come back from Japan to propose to her. Kwon drops and scatters the letters, all of which are undated. When she reads them, she has to make sense of the chronology.

An aging poet summons his estranged sons to the hotel he is staying at because he feels his death is near; meanwhile, he encounters two women staying at the hotel.

A South Korean art house film director is first invited to serve on the panel of a film festival, then to guest lecture at a film school.

She has never lived in a high-rise apartment, and she wonders how her sister can live at this height every day. A few days ago she kind of burst in to stay with her sister, and she is now becoming re-accustomed to life in Korea. While seeming to keep a grave secret to herself, she manages life one day at a time with a sense of mindfulness. Meanwhile a certain director, some years younger than her, has asked her to join his project, and after a polite refusal, they have agreed to meet for the first time today. Downtown Seoul is filled with narrow alleys that harbor tiny old bars, and that's where they meet. As they are getting drunk, there is sudden rainfall and thunder.

While a South Korean man wanders the city in search of the woman he just broke up with, she successively meets and flirts with two men who claim to have met her before.

Iris, a woman abroad in Seoul, teaches French and English in an idiosyncratic fashion that allows her to pursue her own philosophical and personal interests. Through four encounters over a single day, Iris probes students and strangers for information about poetry, their own histories, and their relationship to their egos.

Oki, a film student, gets involved in two relationships as she navigates the advances of a fellow student and grapples with her feelings for her much older professor.

A novelist visits a bookstore run by a young colleague who's been out of touch, then takes a walk with a film director and his wife. She meets an actress and tries to convince her to make a film together.

A young poet drops his girlfriend off at her parents' house and is amazed by its size. He bumps into her father, meets her mother and sister, and they all end up spending a long day together; fueled by conversation, food and libations.

On a business trip to the Cannes Film Festival, Manhee is accused of being dishonest, and fired. A teacher named Claire goes around taking photos with a Polaroid camera. She gets to know Manhee and sympathizes with her. Claire is like a person who can see Manhee's possible future or past selves, through the mysterious power of the beach tunnel. Through taking photos, Claire has acquired the ability to look slowly at things, and to transform objects. Now, Claire goes with Manhee to the café where she was fired. We look forward to seeing Claire's power at work.