První veřejnoprávní

Dostoevsky’s latter-day opus about the siblings and their father is among the masterpieces of world literature. It asks profound questions about ethics and religion. Is there a God? Does the devil exist? Is everything allowed because we live in a world without morality? And if so, does patricide even constitute a crime? One of the most interesting adaptations of the material is The Karamazovs by Czech director Petr Zelenka. We witness a group of thesps from Prague on a trip to Krakow in Poland to stage the novel as a play in a derelict steelworks as part of the Closer to Life Festival. The project, however, is born under the bad sign, apparently doomed from the start. When they arrive, the roof is about to cave in, so that the actors are told to wear safety helmets. Their sole consistent audience is a laborer (Andrzej Mastalerz) who rather follows each dress rehearsal than watching over his seven-year-old son who has suffered a tragic accident in the factory.

A strange nobleman returning after years abroad to a small Bohemian village in the beginning of 19th century. The nobleman feels closer to animals despite looking like a human.

Brno plays the main role in the film. It brings together several story lines of the film, which also meet in the course of the film's narrative. The main axis of the film is the story of Standy Kadlec, an overly trusting and kind man, and his pregnant wife Alena. On the other hand, it is the story of Ladi, the closest assistant of the mayor of Brno, Lang. Ladi is Standa's classmate from high school. He is, however, Stand's opposite in character. While Stand's kindness and good manners condemn him to a life role of a "loser", Ladi gathers shameless success. But gradually we learn who really has the most to lose...

Black-and-white comedy about two young people who want to lose, finally, their innocence, and about life in a very boring city of Brno ...

Slovak director Karpatti arrives in Prague to make a name for himself. He has brought all his belongings with him, as he can no longer show his face in Bratislava. Meanwhile, on the roof of an apartment building in Pankrác, Hrubeš and Mareš spit from the seventeenth floor, planning to become important film professionals and longing for love. Then Mareš's grandmother dies, Hrubeš is kicked out of his house by his father, and eleven terminally ill patients do not die. Václav Hrubeš meets President Klaus, and Josef Mareš finds a girlfriend, but for money. At the end, the power goes out for ten minutes throughout Prague 4, and Viliam Karpatti receives an award at the Jihlava Film Festival. It rains for the entire last ten minutes of the film, and planes hover over Prague like phantoms.

Romi, a prostitute, is anything but successful at her job: she is of far too gentle a nature for her clients. The more obstinately she is pushed to the streets by her pimp Franz, the closer she is to a complete breakdown. One day Romi is addressed by a property speculator referring to himself as a "wealthy Jew". He does not demand any sexual services of her. He satisfies himself with Romi telling him stories, for which he lavishly rewards her. However, no one shares the sudden happiness with Romi. Her workmates and current clients turn their backs on her, as does Franz, with whom Romi is in love. The whole story takes place in the setting of a dilapidated city, during the clean-up of which politicians openly split their profit with speculators and lobbyists, all under protection from the police.