Acrobates Films

18-year-old Nacho shows up at the cow-breeding ranch of his father, Marcos, whom he barely knows. His father is worried because, as the ranch’s yearly auction is approaching, several cows are dying without explanation. When Nacho finds out who is killing the cows and why, he understands the magnitude of the problem. Cornered by distress and confusion, he’ll have to choose: being a boss or not being a boss. Perpetuating the system, the insult, the abuse, or refusing to take part in it.

A woman tries to cling onto dimming links to her past after inheriting a pygmy slow loris from her long-estranged husband; meanwhile, her niece prepares for marriage as the young couple ponders their gloomy future together. The present and the complex echoes of Vietnamese history are entwined before a contemplative and poetic perspective.

An overbearing mother who lives with her son in a secluded crocodile farm spirals out of control when her son sees the outside world and falls for a girl for the first time.

In an old house in Hanoi, Bi, a 6-year-old child lives with his parents, his aunt and their cook. His favorite playgrounds are an ice factory and the wild grass along the river. After being absent for years, his grandfather, seriously ill, reappears and settles at their house. While Bi gets closer to his grandfather, his father tries to avoid any contact with his family. Every night, he gets drunk and goes and see his masseuse, for whom he feels a quiet strong desire. Bi's mother turns a blind eye on it. The aunt, still single, meets a 16-year-old young boy in the bus. Her attraction to him moves her deeply.

Soon after her wedding, newlywed Duyen's excitement begins to fade as she realizes her young husband is not only naive but overly occupied by his job and doting mother. As her marriage goes unconsummated and her emotional isolation grows, she reaches out to her closest girlfriend, Cam, who secretly desires her, but pushes her into the arms of a dangerous and provocative suitor. The resulting infidelity puts Duyen in a precarious love triangle, challenging her notions of conventional relationships and also the stability of her new family.

Yangon, Myanmar, in 2022, is in the midst of a civil war following the military coup on February 1, 2021. Mi-Thet, a young Burmese woman, works in a garment factory in Yangon, far from her native village. Wages have not been paid for the past two months, and a group of workers are leading a strike. But soon, the strikers are attacked by the henchmen of the military regime, leaving Mi-Thet terrified by her past trauma.

In Srinagar, the winter capital of Kashmir in India, Nargis is a domestic worker for a wealthy family. She looks for her husband, Manzoor, hoping he is still alive, locked up in a military camp. Fired from her job she is left with no choice but to return to her village.

It is winter in Damascus. Sana, with her eight-year-old son, is living alone while her husband works in Saudi Arabia. When Sana runs out of gas to cook or warm the house, she takes a day off to find a gas cylinder. From there begins a trip into the surroundings of Damas, where Sana finds herself brutally confronted with the effects of war.

In Southern Philippines, a carefree, spider-obsessed young boy loses his older brother and father in a mine’s collapse, and forced to grow up to look for their bodies in the rubble, only to dig up a web of lies woven together by the powers-that-be, realizing it takes more than a hero’s ransom to extricate his family from the town and its ever-collapsing tunnels.