Tangerine Productions

Becoming a father is an extraordinary adventure in a man's life, but it is also a real physiological metamorphosis that science is only just beginning to reveal. Researchers from multiple disciplines are lifting the veil on these changes taking place in men who are in contact with young children, and their discoveries are astonishing. By tracing the thread of evolution, the film reveals that these deep, long-ignored bonds between men and children are very ancient. And that they are just waiting for the right context to fully express themselves.

Kim Novak never dreamed on being a star, but she became one. Most famous for her enigmatic performance in Hitchcock’s Vertigo (1958), the Chicago-born actress never quite fitted into the Hollywood mould and wanted to do things her own way.

All food can be adulterated. More discreet than a drug cartel, more elusive than arms dealers, criminals have taken over food. Olive oil, fish, meat, spices, no department escapes their juicy traffic. A jackpot estimated in Europe at 30 billion euros enriches a new kind of mafia every year. Organized crime is selling altered products in restaurants, supermarkets and all food shops in the European Union. Their secret is to replace an ingredient with a cheaper one. Who are these new traffickers? What are their methods of operation?

Devastating hurricanes, torrential rains, the inexorably rising waters: coastal megacities are now up against the wall. The filmmakers have chosen three emblematic cities: New York, Singapore and Rotterdam. Cities that each face unique problems and must revisit their relationship with water in order to survive on the long run. In 50 years, all surge barriers in the world will be out of order. What solutions will then remain for coastal cities?

Fifteen-year-old Diamant from Dakar dreams of making films, but her family has other plans for her. To Diamant, however, these are out of the question. She falls into a deep sleep from which no one can wake her.

Concrete Moves is inspired by a childhood memory: the fear triggered by a snake during a school trip to the Mamelles lighthouse in Dakar. Returning to that same hill decades later, director Fagamou Fama Ndiaye finds a coastline transformed by relentless urban expansion. Through dance, archival images, the invocation of memory, and the metaphor of the snake as a city shedding its skin, the film traces a journey through a place where concrete slowly erases memory, nature, and the traces of the past.