Ranjit Movietone

Mumtaz Mahal tells the story of Shah Jahan and his wife Mumtaz Mahal, tracing their deep love, her death during childbirth, and his grief that leads him to build the Taj Mahal in her memory.

Surdas, a blind poet, embarks on a spiritual journey. He transforms into a revered saint, dedicating his life to crafting devotional poetry for Lord Krishna.

A street singer and a flute seller fall in love, only to be separated by jealousy and circumstance. Years later, a twist of fate reunites them, one famous and the other struggling, forcing them to overcome misunderstandings for a second chance at love.

Using the moon’s rays, Professor Harnam invents a potion that turns man into a murderous beast. His brother Professor Vaman, realizing the dangers of this invention, realizes the urgent need of producing an antidote to avoid disaster. However, it is too late as Harnam’s daughter drinks the potion during a quarrel with her lover Detective Kishore and the city begins to witness a murder spree amongst its elite and wealthy citizens.

A pampered, sickly child escapes her privileged life, only to encounter a struggling street juggler and his daughter. Their worlds collide, sparking an unlikely romance and a journey through societal divides.

Dhiraj (1942) was a Hindi social film directed by Chaturbhuj Doshi and produced by Ranjit Movietone. It featured actors like Sitara Devi and Ishwarlal. Dhiraj was banned by the British government due to alleged inclusion of "symbols like pictures of national leaders," suggesting a plot with nationalist themes.

A psychiatrist spirals into madness after being tricked into marrying the wrong sister. When his obsession with her sibling grows, he uses his medical authority to turn her insane and imprison her within his own asylum.

This mythological film is based on the Mahabharata. It depicts the tale of how Savitri (Gohar) saves her husband Satyavan (Bhagwandas) from the clutches of Yama, the god of death.

A story centered on a village girl named Alka, whose character exhibits contradictory traits and possibly a violent nature. Her life intersects with other village inhabitants, including Nanda, and a figure described as a "ruthless dacoit" who undergoes a transformation into a "dacoit-devotee" and is involved in an unusual burial ritual. The narrative attempts to weave in themes related to divinity and spiritual protest through these characters and events.

A sculptor falls for an amnesiac woman found after a bombing, whose strange behavior hides a past that threatens their unconventional romance and a brewing love triangle.

A prince, fresh from his foreign education, returns to find his kingdom plagued by intrigues and rigid traditions. Disillusioned, he decides to venture among the poor in search of genuine love and freedom. During his adventures, he meets a simple village maiden, and they fall in love, leading to a series of thrilling and comedic encounters. The film blends this underlying serious theme with a light-hearted, slapstick comedic approach.

A devoted traditional wife heals her ailing husband, only for him to abandon her for a dancing girl. Can a modern, educated woman's revolutionary ideas mend the broken marriage and restore love?

The evil Chand (Motilal) and his rich father Mangaldas (Date) persecute the nice Sunder (Ishwarlal): he kidnaps Sunder's sister Kokila (Khursheed) and frames him for theft. Sunder is jailed. The abducted Kokila succumbs to the villain's charms and her love reforms him. When released, Sunder, unaware of the fact that his enemy has reformed, seeks revenge on the very day that Chand and Kokila are to marry.

A mythological tale tells the cherished tale of Lord Krishna, the divine king of Dwarka, and his impoverished childhood friend, Sudama. Despite their vastly different lives, their pure bond of friendship endures. The story portrays Sudama's reluctant visit to Dwarka and Krishna's miraculous, selfless blessing upon his devoted friend.

An earthquake separates wealthy siblings Premnath and Mala, leaving Premnath with amnesia and in love with beggar girl Mira. As Mala seeks to reunite with her brother, the film questions whether true love can bridge societal divides.

Following his conquest of India, Emperor Babar faces a crisis of loyalty among his troops and nobles. His most devoted subject, Sardar Sheikh, faces a dilemma when his daughter, Hamida, falls in love with Prince Humayun. Sheikh sends Hamida away, prompting Babar to intervene. However, a great sacrifice is ultimately demanded of the Emperor to save his son and reconcile the conflict.

Anil, a rich banker, loves Leela but is arranged to marry the poor orphan Suman. A complex love triangle/quadrangle unfolds with misunderstandings and separations, ultimately ending with both Leela and Suman realizing their shared love for Anil.

The story of two brothers, Dhiraj and Shashi, and their rivalry. The cunning Dhiraj mortgages their ancestral property, causing complications for his innocent brother Shashi and their family. The plot also explores the contrast between rural (Unmad village) and city life, as both brothers originate from Calcutta.