Bruma Cine

They open the doors and lean out: their whistles travel the rails across the town. The dogs get up. The children put out their cigarettes. They have arrived, and now, all is still.

Salomé reviews decades of family videos to understand her mother's sadness. In this search, she uncovers a past marked by exploitation and historical violence in Colombia and Latin America. By using artificial intelligence to imagine a less terrible world, she discovers that it is easier for us to conceive the end of the world than the end of capitalism.

Authorities have prohibited access to a forest on the outskirts of the city. Strange vegetation has infested the area, and those who have been questioned report sightings of rare species, human-sized birds, or figures that appear and disappear. Despite the restrictions, several people decide to visit the place. Once there, they coexist and play without fear of the warnings. Little by little, reality begins to distort, blending with their memories, dreams, and fantasies.

In the middle of the Andes of Nariño, the old textile factory of the town of El Contadero lies in ruins. The memories of Estela, a woman who worked there during her youth, recall the first years of the factory with her colleagues, as well as her learning of traditional guanga weaving.