Clap 36

In the wake of the French Parliament's adoption of a law criminalizing the denial of the Armenian genocide, Clap36 revisits the "mother of all memory laws" and presents its new documentary, " Main basse sur la mémoire, les pièges de la loi Gayssot" (A Grab for Memory: The Traps of the Gayssot Law) .

Dieudonné admits it himself: he played "the fool," which hasn't stopped him from becoming the symbol of an entire generation born of decolonization, to the point of embarking on electoral adventures. Like Coluche, he is the "man to beat" for all the right-thinking media. Are his sulfurous reputation and provocative humor alone responsible for his popularity?