ICA

A nun is called upon to adopt her 15-year-old nephew, and as a consequence religious, familial and sensual love become entangled.

Stranded along a sublime river fjord in northern Portugal, an ornithologist is subjected to a series of brutal and erotic Stations-of-the-Cross-style tests.

In 2016, Edgar Pêra released The Amazing Spectator, a playful investigation into cinema’s disquieting essence that had everything from negative film images of boobs and positively splendid interviews to a donkey hand puppet. The film and an accompanying book formed his PhD thesis. But as so often with him, projects turn into obsessions – especially when there are masses of notions not pondered, thoughts not elaborated upon. And so KINORAMA - Beyond the Walls of Cinema was born, a stand-alone continuation of The Amazing Spectator that looks at cinema’s future in cyberspace and, accordingly, perhaps the end of its enslavement to figurative representation, the 'stupid sacred in narrative cinema' (to use a Pêra’ism), realism and artificiality in 3D cinema, and many other aspects.

A film about General Humberto Delgado's brutal assassination by the Portuguese fascist police in 1965.

According to Sigmund Freud: “Unexpressed emotions will never die. They are buried alive and will come forth later in uglier ways”. “Umbral” materialises the moral dilemma of whether there is a cause and effect link between trauma and criminal behaviour.

Roberto, a retired and disappointed journalist, leaves his work in a farm and goes back to his hometown, Braga, which he thinks will be his last hiding place. However, in returning, he feels a strong energy in the city and between journeys to the past and an intense night life, a new chapter arises.

Hamburg, Germany, 1939. Getting a passage aboard the passenger liner St. Louis seems to be the last hope of salvation for more than nine hundred German Jews who, desperate to escape the atrocious persecution to which they are subjected by the Nazi regime, intend to emigrate to Cuba.

On set, in the middle of the Atlantic Forest, a stressed film director begins another day of filming, reproducing the celebration of the first mass in Brazil. Suddenly three strange agents emerge from the forest and abruptly interrupt the scene. Authoritarians, they confiscate the filmed negatives. The paranoid director grumbles: "Are they from the government?". The execution of the film is compromised. Will the director in trouble be able to complete his film?

In a world where art is no longer valued, the curator of a museum is preparing to close the doors of the institution. As she faces the reality of adulthood and the difficulties that come with it, she tries to find the magic, hope and freedom she felt as a child in order to face her uncertain future.

As a result of the pandemic and the economic crisis, there is a widespread revolt in the main cities of the country and Paulo and Cristina, an upper-middle-class couple with a newborn child, only do not join the popular indignation because they agreed, that same night, to organize a dinner for two friends: João, going through a divorce process that plunges him into a strange depression; and Raquel, Cristina's childhood friend who has spent the last few years crossing the planet on a journey of self-discovery. It's a night where, while the world changes outside, people reveal themselves inside, in this apartment where the confrontation between the real and the virtual reveals the most terrible truths.

A filmmaker returns to Macao, China, to help a friend who is in trouble.

Three students hangout in a living room. What Hugo and Paulo don't know, however, is that this night is not like the others. Luís has something to reveal to them, a secret with apocalyptic consequences, that will test their friendship.

1920s. Vitalino, a small farmer from São Vicente sees his father die of the epidemic which decimated the country. Some years later, of all the brothers, Vitalino is the strongest and takes his father’s place in the house. But the village is too small for his aspirations and he decides to head to Brazil, leaving his sisters in charge of the household. In parallel with Vitalino’s story, If I Were a Thief… I’d Steal portrays the world of Paulo Rocha rummaging through his films and ghosts over the years.

When three colleagues are about to say goodbye to each other and the house where they've been staying, tensions start to rise as revelations about them, and the house, emerge.

Ema tries to end her insomnia. However, in her last effort, while walking by the sea, the line between sleep and reality merges, leading her to question what has been real until now.

From Sunday to Sunday, the Arcozelo football field is battered by the North wind. The lawn has to be swept and lots of clothes washed. - The boys are coming! - The two equipment managers, São and Cunha, know the name of the little players. Everyone is taken care of and the socks drying on the goals are also to be lent.

Shaken by a divorce in the 1920s, Portuguese poetess Florbela Espanca uses her writing to deal with her tumultuous relationship with men, eroticism and love.

One night, contract killers Safo and Erina celebrate their latest work when they are surprised by an unusual request: a black envelope with just the signature 'V'.

Ashore portrays the life of a singular fisherman in an ancient riverfront community near Lisbon. Divided between the quiet solitude of the river and the family ties that wash him ashore, the film follows Albertino Lobo, as nature renews itself with each season cycle.

In a city where nature has been forbidden, a small crime by a simple man triggers a chain of unexpected consequences.