Deblokada

A woman and her daughter struggle to make their way through the aftermath of the Balkan war.

Hannah Maynard, a prosecutor of Hague's Tribunal for war crimes in former Yugoslavia, charges a Serbian commander for killing Bosniaks. However, her main witness might be lying, so the court sends a team to Bosnia to investigate.

A pregnant French woman lives in Sarajevo with her Bosnian husband and their daughter. They vacation at a Croatian island, where things get complicated when they all become attracted to a beautiful woman.

Bosnia, July 1995. Aida is a translator for the UN in the small town of Srebrenica. When the Serbian army takes over the town, her family is among the thousands of citizens looking for shelter in the UN camp. As an insider to the negotiations Aida has access to crucial information that she needs to interpret. What is at the horizon for her family and people – rescue or death? Which move should she take?

Mara, a successful businesswoman and single mother, is heartbroken after her son Nemanja’s untimely death. She becomes emotionally detached, refusing to communicate with friends and family. However, when she meets Milan, Nemanja’s close friend, she finds solace and comfort in their relationship.

Twenty-six-year-old Igor is a maintenance worker at a medical rehabilitation center where 71-year-old Edita is undergoing therapy. Their chance encounter will turn into an unusual relationship. Without exchanging a word, the two realize they are kindred spirits and start changing one another. What happens when you share the last days of your life with a stranger?

A documentary about Sarajevo’s preeminent Yugoslav-era businessman and mayor, Emerik Blum, and the inner workings of his engineering company, Energoinvest.

Six months after the genocide in Srebrenica and after the Peace Treaty was signed, the women still don’t know the whereabouts of their sons. Out of desperation, they organize protests and private investigations. Despite being emotionally fragile, often under-informed and lacking education, these women embody an incredible strength that overcomes all political and bureaucratic barriers. They demand their sons, the truth, and justice, and nothing can stand in their way.

Loving young couple Luna and Amar try their best to overcome unexpected obstacles that threaten their relationship. After Amar's dramatic change in a fundamentalist community, Luna tears herself apart searching if love is truly enough to keep the couple together on the path to a lifetime of happiness...

The armed conflicts of the 1990s not only visibly destroyed the land of the former Yugoslavia, but also left the deepest wounds in the memory of each of its belligerent nations. There are as many different interpretations of that bleak past as there are countries affected. It is therefore hard to expect absolute harmony when, less than two decades since the war ended, a diverse group of veterans gathers at a remote mountain hotel for a therapy session over several days. On the contrary, such a dangerously volatile situation can suddenly ignite by just one thoughtless word, or a seemingly dirty look. That’s because the former soldiers, obstinately holding on to their fundamental masculinity and their prejudices, refusing to expose the inhumanity of the atrocities perpetrated. However, this quietness is just about to be broken and hidden emotions are to be faced.

Jasna searches for the remains of her two children who were killed and buried in the mass grave by Serbian Army. She gathers all available information and inspects mass grave sites hoping to find the red rubber boots her son wore the day he was abducted.

Kym, an Australian tourist, decides to travel to Bosnia. Her guidebook leads her to Višegrad, a small town steeped in history, on the border of Bosnia and Serbia. After a night of insomnia in the 'romantic' Hotel Vilina Vlas, Kym discovers what happened there during the war. She can no longer be an ordinary tourist and her life will never be the same again.

Bilja was seriously wounded in the 1992 shelling of Sarajevo. A French photographer took pictures of her while she lay bleeding and desperately begging for help; pictures of Bilja's wounds made him famous. Zbanic searches for Bilja and reconstructs the moment when news became more important than her life.

Teens Linda and Eta are inseparable friends, though they have plenty of disagreements, but one horrific argument has unexpected consequences.

When Bosnian-Serb forces began shelling Sarajevo in 1992, an officer of the Bosnian-Herzegovinian army made an appeal to all inhabitants of the city with video cameras to "start filming, because their material would definitely influence events." Whether prompted by this call or not, many of those who possessed a camera attempted to capture the atmosphere of the besieged city, resulting in this extraordinary film. At once engaging, horrifying and funny, these "home movies" provide a stark testimony of the courageous spirit of a people under siege, trying to live "normal" lives against all odds.

Origolab, an internationally renowned genetical engineering company, establishes a new headquarters within the walls of a small medieval town in Istria and Boris, an ambitous up and coming biologist, gets a position in it. However, he discovers a terrifying secret: whilst Origolab might be on the verge of a scientific breakthrough with discovering eternal life, they have been kidnapping local children to achieve this, putting him before a moral dilemma. Should he try to save the most recent kidnapping victim? Or will he bend under the promise of the scientific discovery of a century?

Causes and consequences of the assassination that happened in Sarajevo a hundred years ago still continue to reverberate in Europe. On June 28, 1914 Gavrilo Princip assassinated the heir to the throne of the Austro-Hungarian Empire Franz Ferdinand sparking World War I that marked the start of the 20th century. As Sarajevo commemorated the centennial of the assassination, different people had different interpretations of what happened in the city a century ago and different emotions about it. ONE DAY IN SARAJEVO tells about various perspectives of the anniversary in Sarajevo combining and contrasting footage filmed by citizens of Sarajevo (with small cameras and mobile phones) with scenes from feature films about the assassination by directors from Austria, Bosnia-Herzegovina and the United Kingdom