Théâtre des Bouffes du Nord

With hindsight, we can see exactly how wrong the labels given to Samuel Beckett have been, since it has been said that his writing was sad, negative and desperate. Nowadays, it can be said that several of his pieces submerge us in the reality of human existence, but with an element of humor - and it is this humor that has saved us. Beckett rejects every theory, every core belief, looking for the truth. He observes people amid the darkness and takes them into what is vast and unknown about life, so they can discover their truth by taking a look at themselves and others. Like Beckett, we share their uncertainty, their search, their pain. This theatrical reflection by the masters of European theater, Peter Brook and Marie-Hélène Estienne, incorporates parts of Fragments, a piece premiered in 2008 and filmed in 2015 and which contains the short plays Rough For Theater I, Rockaby, Act Without Words II and Neither.

In the 60s, in the heart of a village, Robert lives with his mother Odette. About fifty, balding, paunchy, Robert spends most of his time locked in the garage where he tries to develop a teleport machine. Robert will try to teleport himself, but a fly is stuck in the machine, and the scientific apprentice will gradually turn into a giant insect. Robert will little by little dehumanize to become a beast able to climb the wall, pushed by an insatiable search for food.