El Árbol Azúl

María Fe, still single but not so sought after, faces the existential crisis and the blank page as any mature and sensible woman would: by getting involved with the wrong guy.

Four young people travel through lost towns of the jungle in a van. It is a road movie where all members of the group take an inflatable screen plus all the necessary equipment to faraway places in the country to show movies. Three of the characters, those from Lima, premiered the movie in commercial theaters with tremendous failure. It was taken off in one week due to few spectators. One day they heard about itinerant movies and it thought this would be a good way to show their movie to areas non contaminated by Hollywood films. With this idea they hire Beto, an Argentinean that has experience with outdoor movies, to help with the technical things they didn’t know. The trip begins with the enthusiasm of those that want to exhibit the movie, and little by little convert it to a reflection of the movies, friendship and loneliness.

Hilda and Cristina have been told that a settlement will begin near the cementery. Hilton, an illegal gravedigger, watches with concern. If they invade, he won’t have space to digging graves. The settlement and the cemetery are very close, and the dead seem to have achieved what they desire: a home.

Pilar shares his quiet home in the country of Peru with Consuelo, Milagro and Tuna. The daily routine of this house is interrupted by a call from his daughter who will visit her along with her ​​granddaughter and newborn great granddaughter. For one night these three generations of mothers have to live under the same roof.