Joli Rideau Media

In a fictitious trial, twelve members of a jury must decide whether journalist Ian Bailey is guilty of the 1996 murder of French filmmaker Sophie Toscan Du Plantier. Based on real events, the film reconstructs, through the discussions between these twelve people, a case that ultimately invites the viewer to draw their own conclusions.

Twelve-year-old Toma is expelled from school after being relentlessly tormented by his classmates. His estranged father, Nemo, who disappeared when the boy was just two years old, invites him to their ancestral village. The locals do not embrace Nemo's unwelcome return. But he doesn't fear anyone and is determined to pass on the ancient tradition of deer hunting to his son. This fateful weekend Toma learns survival, independence, and the dark secrets of his father's past.

Documentary about the making of Les Chevaliers blancs, the film Lafosse worked on for seven weeks in the Sahara. A shooting period marked by unusual working methods and unexpected challenges.

March 2020. Fabrizio, a photographer and filmmaker who lives in Luxembourg, returns to his family in central Italy after his father has suffered a heart attack. It’s the beginning of the pandemic, the country is in lockdown. An intimate diary and an ode to filial love in the face of the most trying circumstances a son can face. A tale of the soul and personal hardship in the context of a broader collective tragedy.

After spending his childhood in Macau, Afonso returns to Lisbon during the Carnation Revolution of April 25, 1974. Amidst the country’s upheaval, he navigates an agitated adolescence and experiences a personal revolution - discovering himself and his sexuality.

The desert is calling. Yet, it is with the ocean that Fabrizio Maltese’s journey begins. He has accepted Abderrahmane Sissako’s invitation to continue the film he and Pol Cruchten had initiated together. Pol has since passed away. The project he had been dreaming of has thus taken on a new, symbolic dimension. It must see the light of day. This is why Fabrizio has traveled on his own to meet with the Mauritanian director. But fate seems to have decided otherwise. From Saint Louis in Senegal to Nouakchott in Mauritania, from Mata Moulana to Chinguetti, Fabrizio allows himself to get lost alone in the desert, with nothing more than a few scribbled notes jotted down on the piece of paper that was given to him by the two filmmakers.