After a chaotic night of rioting in a marginal suburb of Paris, three young friends, Vinz, Hubert and Saïd, wander around unoccupied waiting for news about the state of health of a mutual friend who has been seriously injured when confronting the police.

Two vagabonds, Vladimir and Estragon, meet on stage in a non-place ("Country road with tree") at dusk to wait for "Godot". This man - who will never come - has promised them that he will come to the rendezvous; although it is not clear what he is supposed to bring them, he represents a hope for change. While waiting for him, the two friends try to find occupations, "distractions" to make the time go by.

Fashion executive Dominique's obsession for Quentin, a young bisexual hustler, fills her desire for physical love but leaves her taxed emotionally. Twists and turns in the relationship, along with the man's violent and abusive nature, force Dominique to reconcile the conflicts created by her passion. In this quest, Dominique is aided, and sometimes hindered, by friends, clients, and Quentin's former and current acquaintances.

Set in 1987 against the backdrop of a hunger strike by the Egyptian film industry, Chahine himself steps in to play Yehia, the famed Egyptian director whose life is chronicled in "Alexandria, Why?" and "An Egyptian Story". Obsessed with Amr, the handsome actor he discovered and cast as his alter-ego in parts one and two of The Alexandria Trilogy, Yehia pressures Amr to star in various film projects that change even as Yehia's perception of the young actor begins to change. He first casts Amr as Hamlet, which the actor deems too demanding for his talents, then as the lead in a musical biopic of demigod Alexander the Great, who founded the city of Alexandria in 332 B.C.

Bab El-Oued, a popular district of Algiers, in 1989, a few months after the riots. Boualem works at night in a bakery and steals the loudspeaker that was installed on his roof and was broadcasting the Imam's word... therefore preventing him from sleeping. This blunder is taken as a pretext by the Islamists to put the district under their control...

Ludovic is waiting for a miracle. With six-year-old certainty, she believes she was meant to be a little girl -- and that the mistake will soon be corrected. But where she expects the miraculous, Ludo finds only rejection, isolation and guilt -- as the intense reactions of family, friends, and neighbors strip away every innocent lace and bauble. As suburban prejudices close around them, family loves and loyalties are tested in the ever-escalating dramatic turns of Alain Berliner's critically acclaimed first feature. Winner of the Golden Globe for Best Foreign Language Film and a favorite at festivals around the world, this unique film experience delivers magic of the rarest sort through a story of difference, rejection, and childlike faith in miracles.

This is 1920: Sophia and Trofim Ivanytch have been living on Vassilievski Island, which is part of Petrograd, for thirteen years. In their house, which looks like a ship wreck, the atmosphere is gloomy. Sophia cannot have children and she is aware that, because of that, she is likely to lose her husband. That is why, when their neighbor dies, she asks Trofim to take in Ganka, his orphaned thirteen-year-old daughter. Trofim agrees and their new life begins...

Shanghai, China, 1930. When young Shuisheng arrives from the countryside, his uncle Liushu puts him at the service of Bijou, the mistress of Laoda, supreme boss of the Tang Triad, constantly threatened by his enemies, both those he knows and those lurking in the shadows.

In this film about Ingmar Bergman's parents, Henrik Bergman is studying for the priesthood and trying to make ends meet when he encounters the lovely, affluent Anna. Despite their social differences, Henrik and Anna fall in love, wed and move to the country. They lead a quiet life as Henrik works as a priest, but it isn't long before the simple people and plain surroundings make Anna long for a more lavish lifestyle, which causes marital stress.

In a small, conservative Scottish village, an oilman is paralyzed in an accident. His wife, who prayed for his return, feels guilty; even more, when he urges her to have sex with another.

The year is 1949. One of the last outbreaks of Stalinist terror was a bloody buffoonery under the auspices of the fight against cosmopolitanism. In the Writers' House near Moscow, where a young writer finishes her story about her husband's arrest and death, there is a painful atmosphere of fear, suspicion, suspiciousness and foreboding that can drive you crazy...

This odd film is a major representative of an even odder film genre: direct-to-celluloid opera. It was commissioned by the Portuguese master of style, director Manoel de Oliveira from composer João Paes. Musically, it ranges from 19th-century romanticism to popular, modernist and even "post-modernist" styles. In the initially tame story, a host-narrator tells the story of a wedding between the two lovebirds: Viscount d'Aveleda and the beautiful Marguerite. However, what happens in the bridal chamber is incredibly bizarre. The events after that are even stranger, and the wedding guests and family indulge in cannibalism, among other perversions.

A group of people gather at a Copenhagen suburban home to break all the limitations and to bring out the 'inner idiot' in themselves.

The film tells the story of a love affair between a poor poet and an equally poor seamstress in 19th century Paris.

A large family in London's East End is celebrating a birthday party. Children and grandchildren from this extensive family have come to the party from all over England. At the party the family members talk about hope and dreams for their children. The past and present lives of various relatives are compared with each other, while fragments from radio-programmes from the fourties and the fifties draw an emotional and historical line. Set against this archive material are fierce images of modern day family life in urban England in the year 1993. This makes the film a collage of dreams, memories and images of present-day life.

An Uruguayan diplomat brings his new wife with him on a business trip to Poland in the summer immediately preceding the outbreak of World War II.

Eloi, a paunchy middle-aged man, finds Samuel, a young sad sack, about to kill himself by plunging into the sea. Eloi takes Samuel under his wing, giving him a hot meal and bringing him to a seedy night club to introduce him to Esperança, who is said to be the most beautiful sex worker in Lisbon—and is also Eloi’s daughter.

Summer, 1967. La Goulette, the touristic beach of Tunisi, is the site where three nice seventeen-year-old girls live: Gigi, sicilian and catholic; Meriem, Tunisian and Arab; Tina, French and Jewish. They would like to have their first sexual experience during that summer, challenging their families. Their fathers, Youssef, Jojo and Giuseppe, are old friends and their friendship will be in crisis because of the girls, while Hadj, an old rich Arab, would like to marry Meriem.

A random montage of disturbing images tell a story about one summer in the lives of two teenagers who somehow find love within each other, Orso and Marie. After they realize this, they run off to a hidden island off the coast of France where they can not be bothered until Orso's hunger for danger and crime become too much for him, forcing him to return to his normal life...

Set halfway through the 17th century, a church play is performed for the benefit of the young aristocrat Cosimo. In the play, a grotesque old woman gives birth to a beautiful baby boy. The child's older sister is quick to exploit the situation, selling blessings from the baby, and even claiming she's the true mother by virgin birth. However, when she attempts to seduce the bishop's son, the Church exacts a terrible revenge.