Calouma Films

'Pedro', Liora Spilk's debut feature, paints a humorous and emotional portrait of Pedro Friedeberg, a Mexican plastic artist who became famous in the sixties for the creation of the hand chair. Between grumblings, ironies, reflections on art and disagreements, 'Pedro' achieves an endearing portrait of Friedeberg, and at the same time presents a tribute to friendship and creation.

In 1982, the eruption of the Chichonal volcano, in southern Mexico, buried the Zoque indigenous town of Guayabal. After 38 years, the owners of Nuevo Guayabal rebuild their lives while the volcano and the old village lurk under the brushwood. Trinidad, a poet born on the day of the eruption, has dreams which spark a collective effort in his community to unearth their old home.

Gema’s suicide attempt brings her three children together after many years, on the eve of an unusually cold Christmas in Guadalajara. Cristina, stubborn and deeply Catholic, sees herself as their mother’s caretaker; Sony, a psychic on the local Latino TV channel, fled as far as she could over twenty years ago and never came back; and Brunito, the much younger one, a frustrated biologist and forty-something gay man still dreaming of finding the love of his life. A cold front moves in and traps them inside the house, threatening to bring back the family’s most painful memory—and place it right on the table.