Cauce Cine

Reportage explores the relationship between death and storytelling through the lens of tabloid journalism in Mexico City. Following the journey of a single tragedy—from crime scene to printed headline—the film reveals how photographers, reporters, and press workers transform violence into narrative. Alongside them, a group of former inmates re-enact the crime, this time not as perpetrators, but as actors. In prison, they found a stage; through performance, a way to confront the violence they once committed.

Memory is a ghost. Lucio, a printing press worker, takes one last walk around the machines with whom he shared everything. He remembers when his mechanisms used to move and through that mechanical movement he reflects about his own life.

Mara, a 19-year-old woman from San Pedro Sula, came to Mexico fleeing her past. The place where she lived never accepted her, it is something she will not forget. Mara works in a small, dark hotel room. We listen to what she thinks, all the memories, dreams and nightmares that inhabit her mind.

Agustina has been a shepherdess for as long as she can remember. Throughout her life she has had three great loves. Between dreams and memories she sings about everything that has and has not been. Agustina lives with Dionisio in a rural community called El Saltillo in Guanajuato, Mexico. Serranillas are medieval spanish compositions dealing with some kind of amatory adventure in rural landscapes.

Fifty-six years after their smash hit “Fue en un café”, the trace of stardom still beats in the present of Los Apson, the creators of border rock from Agua Prieta, Sonora. From a distance, in his prison cell, lead singer Frankie Gámez accompanies saxophonists Lichi García and Gil Maldonado on a crusade to reclaim the band's legacy.