Metro Pictures Corporation

Two farmhands compete for the love of the farmer's daughter.

Edith Frome (Stevens) finds it impossible to live with her alcoholic husband Arthur (L ‘Estrange), and finally leaves him. After three years she returns but leaves each evening, returning late arousing the suspicion of her husband. Having her followed he soon learns that she visits a child. Suspecting the worst because of her friendship with Dr. David Brett (Phillips), he institutes divorce proceedings. Edith confesses the truth about the child and Arthur, realizing his folly, swears off liquor and they are reunited.

A law student becomes an outlaw French revolutionary when he decides to avenge the unjust killing of his friend. To get close to the aristocrat who has killed his friend, the student adopts the identity of Scaramouche the clown.

While playing cards, Col. Francis Fielding is unjustly accused of cheating by the Earl of St. Albans. The charges are considered so serious in that strata of society that Fielding is disowned by his parents and held in contempt by "proper" society. Fleeing to Paris, Fielding marries and fathers a baby daughter he names Leonore. His wife soon dies and he is forced to raise the girl on his own, alone and broke. He soon dies, and Leonore is adopted by his sister Lady Mountstephen, but it's not much of an improvement: the "lady" hates Leonore, treats her badly and finally disowns her. Things look grim for Leonore until Lord Fitzmaurice loans her a sum of money. Unfortunately, that deed arouses the anger of the wildly jealous Lady Norton, who is secretly married to him. Complications ensue.

Famous playwright Paul Worden decamps to a country bungalow to work on a new play, rehearsing with his leading lady, Marjorie Sinclair, who is staying nearby. Going riding one day to relax, Paul rescues his neighbor, teenager Diana Ardway when her horse runs wild. The pair clash initially, as she does with Marjorie, but after a series of misunderstandings true love triumphs.

PEG O MY HEART (Metro Studios, 1922), directed by King Vidor, under the supervision of J. Hartley Manners, introduces the legendary theatrical actress Laurette Taylor (1884-1946) to the screen reprising the role she made famous as a poor Irish farm girl who inherits a fortune but would rather have happiness instead. While a bit too old for the character supposedly in her late teens or early twenties, Laurette was tailor made for it.

Robert Wallace, the elder son of a rich and indulgent father, marries Margaret Christy, a spirited patriot, so that he can escape the call to war. Discovering the reason for Robert's haste to get married, Margaret is appalled and resolves to bring home to her husband a sense of his personal responsibility. In order to instill patriotism in Robert, Margaret contrasts him with John Harding, the man who gave her up to go to war. When Robert protests his wife's tactics, Margaret accuses him of being a contemptible coward. The next day a German insults the American flag, and Robert, his sense of justice aroused, makes him salute it. He then bids Margaret farewell and marches off to war. Margaret sees him off without divulging the secret that she is pregnant, thus sacrificing her own welfare for that of her country.

The valet of Lord Harold Varden, on a secret mission to our Government, has been murdered. Dick Holloway, a reporter, detailed to the story, calls on Lord Varden just as the latter feels the effects of poison administered to him. He takes the place of the nobleman when his American cousins come for him, and not only saves his lordship's papers, but captures the spies detailed to get them.

Joline, a cabaret singer in Paris, models for her lover, painter Paul Granville. Paul becomes famous for his paintings of Joline in the guise of famous women like Cleopatra and Salome. But when he paints Joline as the Madonna, a miracle occurs which transforms her life and ultimately saves his.

Upon striking oil on his farm, Silas T. Pettingill (Charles Eldridge) moves to Park Avenue at the behest of his social-climbing wife Maria (Kate Blancke) and daughter Helen (Emmy Wehlen). But like Jiggs in the comic strip, Pettingill never loses his common touch, and one evening he goes out on a toot with his new chauffeur Hubert Stanwood (Paul Gordon).

Alias "the Dancer," fashionable society crook Jimmy Burke is hot on the trail of the Brent diamonds. Upon learning that Molly Brent and her diamonds are the stars of an amateur play, Jimmy obtains the leading man's part and devises a plan to steal the jewels. Molly falls in love with her leading man, who plans to switch the gems with fakes during the performance. After the play, the police question the couple and Molly declares that the robbery was part of the drama. When she discovers Jimmy's deed, she begins to cry and "the Dancer," realizing that he is in love with his victim, renounces his profession.

Wealthy American widow Elizabeth Carter plans to marry the Earl of Dettminster when lawyer Augustus Tucker informs her of a codicil in her late husband's will. The Carter fortune will go to nephew Pitney Carter, who is in love with Elizabeth, if her second husband is not an American. Elizabeth therefore pays penniless playwright Jasper Mallory $50,000 to marry her and schemes with actress Mme. Albani to provide grounds for divorce so that she may then make the earl her third husband.

Ethel Barrymore plays the wife of an abusive country squire. So nasty is her husband that he all but forces her to seek solace in the arms of her former sweetheart (played by Alan Hale in his leading-man period). Their clandestine relationship finally comes out in the open when the nasty husband is killed by his irate tenants.

Stranded in the small town of Buckeye Junction young actress Madge Joy crawls upon a load of hay and falls asleep. Knocked unconscious when young farmer Robert Deep hitches up the wagon not realizing she’s inside she awakes in the Deep living room. "Ma" Deep takes to her at once, but old “Pa” Deep looks at her sternly. Claiming to be a runaway orphan rather than an actress she becomes a member of the family. Falling for Madge Robert confesses he dreams of being a playwright, that night his sister Susan, who has run away to be an actress, reappears. Pa Deep is furious when he finds out his daughter has been on the stage, but Madge reveals that she is herself an actress threatening to go away with Robert unless he makes up with his daughter. Eventually Madge finds fame in New York with Robert following with a play he knows is right.

Robert Frazer and Anna Q. Nilsson star in this drama, based on Temple Dusk by Calvin Johnson. David Marlowe (Frazer), the son of a clergyman (Frank Currier), is seduced by the earthly delights of drinking and gambling. While intoxicated he proposes to Ember Edwards (Nilsson), and she accepts because he has told her he is rich and she is sick of her poverty-stricken life. At a gambling house run by Clement Palter (Charles Lane), David takes a 25 dollar check from Bunny Fish (Robert Schable), changes the amount to 2,500 dollars, and proceeds to lose the whole sum at faro.

Mary Alden and her brothers Matthew and George have extremely different political views. Matthew is a committed pacifist, and is constantly giving speeches against war. George is notified that his draft number, 258, has been called and to report for induction, but he refuses. Mary, on the other hand, is intensely patriotic and comes up with a plan to shame him into reporting for induction. Meanwhile, Matthew is being set up for a patsy by a gang of German secret agents, led by Van Bierman, who are planning to blow up an airplane factory.

Wharton creates a portrait of a stunning beauty who, though raised and educated to marry well both socially and economically, is reaching her 29th year, an age when her youthful blush is drawing to a close and her marital prospects are becoming ever more limited. The House of Mirth traces Lily's slow two-year social descent from privilege to a tragically lonely existence on the margins of society.

The saga of Alias Jimmy Valentine began with the O. Henry story "A Retrieved Reformation". This surprise-ending tale was adapted into a stage play by Paul Armstrong, which subsequently was adapted to film several times