Idle Eye

Isabel feels strangely drawn to Dr. Palanca, the president of the country club where she works. However, after piecing together a violent picture of what lies beneath the club’s pristine surface, she realizes that what began as an innocent infatuation is actually rooted in a sinister shared history.

Having just moved to Amsterdam, Lou prepares her new apartment that she will share with her partner, Joel. For now though, Joel is on a trip with an intimate other. Confronted with the complexities of her non-monogamous relationship, Lou shifts her gaze to the rhythms of her new city.

Nights can be long inside Naomi and Ram’s room. Tonight, they have invited Marina over and their messy space is under scrutiny. Exploring intimacy as a personal playground and the skin as an intimate map, Naomi’s docile body unravels in the tension inside a room she keeps grasping and losing. The small child within her is itching to giggle through the night, before the break of day.

Daily life unfolds in a gated community of Manila amidst birdsong, effigies of the Holy Family, lush greenery and the intricacies of class. Rafael Manuel's (co-director alongside Tatjana Fanny) intimate gaze on his own childhood home oscillates between personal and political, offering a tender yet piercing view into social and familial structures in the Philippines.

A bird called Memory has forgotten how to come back home. Lua, a trans woman, searches for Memory in the streets of Rio de Janeiro, but the city can be a hostile place.

Albert Kuhn uses a personal, analytical, and cinematic lens to examine how an untold family history leaves its mark on the second and third generations. Kuhn’s father emigrated from Germany to Barcelona in the 1970s, leaving behind his native country and the family he was born into.

The rainforest bears witness to life; life bears witness to the rainforest.