The Imaginarium Films

A journalist descends into the dark underbelly of the Iranian holy city of Mashhad as she investigates the serial killings of sex workers by the so called "Spider Killer", who believes he is cleansing the streets of sinners.

After the sudden death of her husband, working mother Nawal has to fight for her inheritance in order to save her daughter and home in a society where having a son would be a game changer.

Amira, a 17 year old Palestinian, was conceived with the smuggled sperm of her imprisoned father, Nawar. Although their relationship since birth has been restricted to prison visits, he remains her hero. His absence in her life is overcompensated with love and affection from those surrounding her. But when a failed attempt to conceive another child reveals Nawar's infertility, Amira's world turns upside down.

In the world of camel racing, Ghanim is preparing for the Great Race of Safwa. His younger brother, Matar, grew up hearing these poems about their legendary grandfather, known only as "Hajjan," the Arabic word for jockey. But as he follows in his grandfather's footsteps, in a regional qualifying race, foul play interrupts Ghanim's dreams. Matar realizes that the only chance to save himself and his inseparable camel Hofir is to also become a "Hajjan", and enter the world of Bedouin camel racing — where heroes are made.

In the bliss of their new love, Ali and Katie start to build their life together in New York City, he as an Iraqi immigrant seeking political asylum and she, an ambitious American woman. When a crisis strikes back in Baghdad in the thick of his asylum process, Ali and Katie are forced to navigate its impact on their relationship... and the secrets they have been keeping from each other.

In a claustrophobic neighborhood where gossip and violence police people's behavior, the lives of residents intertwine and collide as some try to maintain social norms while others try to break them.

Radi, who leads a reclusive life in his own van, finds himself on a road trip with three strangers, which alters his clockwork and very private lifestyle.

Aziz, a young Arab actor in New York City, wrestles with the haunting echoes of his past while serving as an understudy in a production of the Greek tragedy Hecuba. Days before the premiere, he is thrust into the spotlight, and rehearsals become a fragile dance between memory and reality. Shadows of his childhood in a war-torn homeland resurface—memories of a lost twin brother, Ahmad, and an orange grove torn apart by conflict. As Aziz delves deeper into his role, his own anguish bleeds into the performance. The play’s director sees a rare, unguarded truth in Aziz’s portrayal, unaware of the profound personal wounds that lie beneath it. On opening night, Aziz’s grief and guilt transform his performance into a raw, cathartic journey. Through the act of storytelling, he confronts the fractured pieces of his identity, merging the past with the present and finding a bittersweet peace in honoring his brother’s memory.