Argentina is a country with an extensive and varied cinematography. Within this enormity, there is a rare, atypical… bizarre cinema. Bizarrofilia aims to investigate the origin and meaning of the word “bizarre”, how the passage of time implies reinterpretations of some works, and focuses on the contemporary production of films that aim to distance themselves from any mimetic representation of reality… although in a country like ours reality always surpasses fiction.

Eric lives with his pregnant wife in his in-laws' house because they have no money to become independent. Eric is very docile and the people around him: his wife, his father, his father-in-law, and his boss have always told him what he has to do with his life. But everything has a limit. Fed of with this situation, Eric leaves his family and escapes to the mansion of the dominatrix Mistress Gise to become his slave. Eric hopes to achieve liberation by submitting to Mistress Gise. When his family finds out, they do what they can to get him back. Meanwhile, Mistress Gise is a twisted Domina who takes Eric's slavery beyond any expected limit.

Juan constantly argues with his wife, takes sleeping pills, repeats to himself every day that life isn't going well, and confronts a friend in need over a past debt. And to top it all off, he ends up in a place where nothing is what it seems and where he will have to learn to reevaluate his life if he wants to return home.

Alma is a woman in her thirties who is not yet certain that she has experienced an orgasm. After escaping violence and various frustrations, she decides to ignore social and family expectations to explore her desires.

Mid 90's, coastal city. Clara and Miguel are two lonely people who meet. Luis and Viviana are a married couple dealing with their teenage son, Marcos. Lorena is a naive young girl. The sea and the sand will witness how these common lives are intertwined by the threads of destiny that uncover the deepest corners of their souls.

Laura, a young nurse from a rural town, is hired to care for Amalia, an elderly woman who suffers from memory loss. One day, Laura makes a mistake with the medication and Amalia begins to remember things. Laura suspects the amnesia might not be a result of age. As she investigates, she starts to experience frightening events she cannot explain.

Violeta Rauch is not well. Like a frog that, without realizing it, boils to death, she has fallen prey to the deceptions of power, the ruin of consumerism, personal isolation, and the isolation of social media. Will she be able to save herself from this existential disgust?