Vitagraph Company of America

One glance at the poor and disordered home of the Tunisons shows us there is something still lacking. Mrs. Tunison is obliged to provide for her crippled daughter Ethel, her son, who does what he can to help her and her older daughter, who aids in every way possible. Daniel Briton, a young peddler, notices Ethel as he passes by, and gives her one of his wares, a geranium, for which she is very thankful. On successive days as the young peddler passes she waves her hand to him. One day he brings with him a doctor, who takes her to the hospital where she will get good care and attention. After a few weeks, Ethel is carried home in the arms of her generous friend, entirely restored to health. Everybody is made happy, and more so with Daniel, who marries one of Ethel's sisters.

A harried propman backstage at a theater must put up with malfunctioning wind machines, roosters that spit nitroglycerine, and a gang planning to rob the theater's payroll.

Adaptation of the Charles Dickens novel.

Glory Quayle, a natural-born mimic, leaves her country home, reaches London, goes on the stage, gains fame and affluence. John Storm, her country sweetheart, believing he has lost Glory forever, enters a monastery, tries to forget her, cannot kill his love, returns to the world, becomes a famous slum worker and friend of the poor.

A bumbling sawmill employee tries to win the hand of the owner's daughter while staying out of the clutches of the mill's bullying foreman.

Wending their way and locating in a land far from the contentions through which they passed a few weeks before, Eric and Chloe are located in a garden spot of primeval beauty, surrounded by all the imposing grandeur of nature. Chloe is pursued by the covetous desire of Haakon, a false friend, who strives by subtle charms to lure her from Eric, who in turn is tempted by Linda, her cunning and beauty, to desert Chloe and live with her.

Indiana Stillwater, the daughter of a wealthy American railroad industrialist, marries English nobleman Viscount Canning and travels to England. Her in-laws are somewhat shocked by her casualness in dress and manner, but welcome her into the family anyway. When her parents invite her to a Sunday-night dinner at their hotel, however, her husband--believing it to be inappropriate behavior for the wife of a nobleman--orders her not to go. Complications ensue.

Lay Zee works on a farm and has won the heart of the farmer's daughter. There is oil on the farmland, and some swindlers are determined to get their hands on the property, by force if necessary. Lay Zee, who knows that oil has been found on nearby farms, convinces the farmer not to sell, and the swindlers enlist the help of another farmhand, who is jealous of Lay Zee's relationship with the girl.

Disregarding the sanctity of "Song Bird's" feelings, John Strong, a young surveyor in the pioneer forests of the west, makes love to the Indian maiden whenever he chances to meet her, until she longs and looks for his coming and going, and finds that he has made himself part of her life.

Very pretty, very attractive, very young; her name is Maude and she has a beau. He is very fat. Maude is simply crazy about him. She will not consider the attentions of Syd, her brother Bert's pal. One day Maude sits dreaming in the parlor, a book of daring adventures lying open in her lap. Syd enters and tries to make love to her.

John Morrison, Wall Street financier, is in the habit of bringing home to his wife daily a bunch of beautiful roses. Delevan, a recognized Money King, meets Helen, the financier's daughter, upon whom he seems to immediately exert a hypnotic influence. She becomes infatuated with him.

The Craigs and Smiths, next-door neighbors, are the best of friends until Smith builds a chicken house. Their two gardens are connected and their children fraternize as if all belonged to one large family. Sidney Craig manages to set loose Smith's chickens, who get into Craig's garden and work havoc among his pet seedlings.

Based on the play The Shaughraun, this is the story of Robert Ffolliat, a young Irish lad, who is done out of his land and sent off to a penal colony in Australia following false accusations by the greedy Kinchella. Conn the Shaughraun comes to his rescue, helps him to escape from the prison ship and return to Ireland where he is united with his sweetheart.

A mysterious, Christ-like stranger in modern (for 1913) clothing brings healing and peace to a family torn by fraternal conflict during the Civil War, using carpentry and his gentle demeanor to transform lives, focusing on redemption rather than literal carpentry, despite the title.

Hughie Mack, Eddie Dunn, and Frank Kingsley secretly leave their homes to enjoy a night out without their wives' knowledge. The wives find out about their husbands' escapade and decide to act. The wives employ a female detective to "vamp" the husbands, hoping to gather grounds for divorce. The rest of the short film details the ensuing comedic situations as the detective attempts to ensnare the men and they try to avoid getting caught.

Set during and after the Civil War, a Southern mother deals with the loss of both of her sons as one dies and the other marries a Northern nurse.

The Roman setting provides ample opportunity for a very high concentration of gag titles, many of which are quite witty and many of which are quaint for deriving their humor from the juxtaposition of having ancient Romans use a lot of hip 1918-era slang. The whole thing is an excuse for a good send-up of how the Roman Empire has been depicted in "serious" plays, movies, &c.

Farce in which two neighbouring couples test each other's jealousy. The women decide to make the men jealous and vice versa. The men buy horse hair to make the women believe it is hair of another woman; the women pretend to have received love letters. Final match result: women seem more jealous than men.

The lovely and wealthy Gladys Barnes is pursued by many young men though she favors the persistent Earle. Her head is turned when her father tells her a foreign Count has written with the request to marry her. An amateur artist Gladys paints a portrait of the Count from a photo but the young men at the studio first tease her and then decide to play a joke on her and her father. Sending a telegram that he is arriving early they all dress as different versions of the Count and comic complications ensue until Gladys realizes her folly and returns to Earle.

Released the same week than Selig's version, they both were the first film versions of the popular play, adapted from Ellen Wood's 1861 novel.