Tabo Tabo Films

Lambert, a recovering sex addict, tries to redeem himself by becoming a marriage counsellor. He stays abstinent for several months, but his alluring assistant's unbridled sexuality tests his resolve.

Aging beautician Angèle, already wounded by a long-ago romance, gets awkwardly dumped at a train station. Witnessing how she turns around a humiliating situation, younger sculptor Antoine becomes so smitten that he breaks up with his fiancée and sets out to win Angèle's heart. Meanwhile, Angèle attempts to quash the budding romance of her young co-worker, Marie, and a much older widowed client, despite their obvious rapport.

Diane Kramer is led by one obsession: to find the driver of the mocha color Mercedes which hit her son and devastated her life. With a few belongings, some money and a gun, she goes to Evian, where she's learned the driver lives.

A brilliant and determined female engineer is approached by a network of powerful women with an offer to help become the head of a CAC 40 firm. The conguest, which was at first thrilling, turns to complete war with the men who still dominate.

Max is single, ophthalmologist, and a real mama's boy. Until she suddenly dies. Max should be devastated, yet he seems to be coping well. Too well. He actually still sees her, talks to her. She is not gone, still here, still close to her beloved baby boy. Max knows she is dead, yet he holds on to this impossible reality. Until he starts sharing his office with Ohiana, a shrink who he slowly falls in love with. Mom is not going to like it.

François has everything he could ever want, until he is kicked out of the house by his wife after his umpteenth slip up; after moving back in with his parents, he vows to win her back.

Noémie, an experienced screenwriter, meets up with Vincent, her first childhood love, at the film school where he is now the director. Through an extraordinary masterclass where intimacy rubs shoulders with the universal and reality flirts with fiction, Noémie will teach Vincent and his students that the art of writing a screenplay is the art of living passionately.

Tom, who suffers from an eating disorder and is recovered in a clinic, has gotten her menstrual cycle back. When the doctor tells her it’s a good sign because it means her condition is improving, she panics: the idea of gaining back the kilos she lost scares her to death. It seems like a day to forget but when she meets Neil, a trombone player with socialization problems, everything changes: the two feel a strong connection that is sealed by their shared desire to escape everything which is considered socially acceptable.